Still a country dream

Nicholas 2022-06-12 18:55:33

The film is nearly two hours long, and it made me feel very sad all the way. The fate of the doomed criminals has made my heart tangled. Of course, this film is very good, but it is so uncomfortable for me to watch, I can only give it three stars. Star Heston is always too serious, just like the sheriff commissioner in the film. It's fair, but I don't like it.

The most moving part of the film is that it shows the softness of each criminal. Except Except for the hard-hearted private detective who was killed first, everyone else has their own kindness and softness. They seem to be poor little animals, with their own weakness in personality, struggling to the death in the sinful city of the city. In the jungle, you can't control your own destiny.

Like outside the whirlpool, I see the memory of the lost country life in it. The title of the film, Asphalt Jungle, shows the criticism of the city very well. The protagonist in it, A rogue with a bad reputation, but he will eventually return to the picturesque farm and die next to the horses he grew up with. They are not really bad people, it is just the sinful city that devours them .

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Extended Reading

The Asphalt Jungle quotes

  • Angela Phinlay: I had the market send over some salt mackerel for you. I know how you love it for breakfast.

    Alonzo D. Emmerich: [Looks at her approvingly] Some sweet kid.

  • Cobby: [Telephone rings twice; Cobby answers] Yeah, hello, hello. Yeah, this is Cobby. What?

    Cobby: [Cobby gets off the telephone in to talk to Dix and Doc] It's Gus. Dragnet's out and they're combing the district.

    Cobby: [Cobby holds out telephone] He wants to talk to you. You, Dix.

    Dix Handley: [Dix takes telephone from Cobby; Cobby leaves] Gus, Dix.

    Gus Minissi: [the scene switches from Cobby's hideout to a telephone booth where Gus is; Gus talks to Dix] Yeah, now, listen careful, pal. The cops are knocking over all the joints along the boulevard. There's mobs of them, meat wagons and all. Now, look, I already called the guy, Eddie Donato. Donato's got a grocery down by the river. 116 Front Street, you got that?

    Dix Handley: [Dix's voice is heard through the telephone] Yeah.

    Gus Minissi: Okay.

    Dix Handley: [a police car rolls into the scene outside of the telephone booth] Thanks, Gus. Say, how's Louie?

    Gus Minissi: Louie's not so good. He got a slug in his belly, all right. Doc's doing all he can. Uh, here they are now, the happiness boys.

    Gus Minissi: [a policeman bangs on the telephone booth and motions Gus to get out of the booth so that he can use it. Gus chuckles, turns and waves to him] Hello. How are you, yeah?

    Gus Minissi: [Gus turns back to talk to Dix] Looks like I'm in...

    Gus Minissi: [Policeman bangs on the booth again] ... for a working over. Look, go down to Eddie's by way of the...

    Gus Minissi: [Policeman bangs on booth for the third time] ... old car barn.

    Gus Minissi: [Gus turns and waves to the policeman; turns back to talk to Dix] Yeah, it's deserted at night. Once you get beyond that...

    Gus Minissi: [Policeman bangs on booth for the fourth time] ... you're okay. The cops never bother Eddie's neighborhood. So long, Dix. Blow now...

    Gus Minissi: [Policeman bangs booth for the fifth and final time] ... eh?

    Gus Minissi: [Gus turns and waves to the policeman; He hangs up and makes his way out of the telephone booth] All right, all right, all right.