confused ambiguous, Reivew on Nathalie...

I always feel that there is a hint of black humor in it. I admire the screenwriters of French films, and even more admire the Chinese translation team, who can match the subtlety of the translation of the lines to the plot, making people secretly ponder the meaning. Occasionally, a smug smile like Emmanuelle's inadvertently raised corners of his mouth would appear. I like movies with situations, and the director is very talented.
As the story continues, you will find the ambiguity in it. Natalie accompanies Catherine to visit her mother at her home; Natalie rents a house, but Catherine is actually taking her to rent it; Natalie takes Catherine to a bar to drink, Finally, Natalie's eyes on the road, Catherine fell on Natalie's body in the car...
Is all this just a simple employment relationship, or suspicious and suspicious. Because of my paranoia about French cinema, I can't guess the ending of this movie. But, as always, know that it won't be that simple. Until finally Catherine saw through Natalie, and stayed there from time to time when Natalie's house was about to leave, Natalie gently held Catherine's head, it turned out to be true... The
director's implicit expression still conveyed that ambiguous emotion.
And in the end But only lonely...

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