If you can, do you want to be God's darling?

Tillman 2022-03-19 09:01:02

Amadeus really should not be translated into Mozart's biography, because it tells not only the life of a genius Mozart, but also the lives of many geniuses and mediocrities, the so-called people who are favored by God and abandoned by God.

Amadeus through the mediocre court composer Salieri let us see the glory and genius of Mozart, but also reflects the pain and distortion of Salieri's life. Salieri's music also received endless praise at the time (but more because of his position), and Mozart's music sometimes made the court and the emperor feel too much notes and too cumbersome. As the years go by, Salieri's music is slowly forgotten until it is no longer mentioned, but Mozart's music is like grown-up wine, more and more mellow. Salieri lived a respectable life all his life, while Mozart was impoverished all his life. The final scene of the film is a coffin rented by Mozart. The corpse is thrown into the corpses of many mediocre people, nowhere to be found.

What is a genius? A genius is a gift given by God and has nothing to do with personal effort. The body is nothing more than a perishable thing in the mortal world. At the end of the film, the genius has been taken back by God. At this time, we suddenly discover that Mozart's life is only Nanke Yimeng, and he is only a vessel of God. We often say that we should leave the secular world behind, but it is easy to talk about it, because God has given us talents and at the same time throws us into a world full of materialism and gives us mortal bodies. Mozart finally said: I want to sleep for a while. We all breathed a sigh of relief for him. In fact, death has become the most beautiful name at this time, and Mozart can finally rest.

Let’s look at Salieri, the representative of our greatest mediocrity, and finally say: I represent the mediocrities of the past and the future, and forgive you. Throughout the ages, most people have been mediocre people or ordinary people that we claim to be ordinary people. When we are together, we feel that the world is very beautiful, and we live and work in peace and contentment. Suddenly a genius arrived. Our peaceful life was disrupted, and the envy, worship, jealousy, and persecution could not be controlled by us. There was no other reason. It was just because we didn't have that kind of talent, but we did have the desire to get it.


So it’s not terrible to be mediocrity. What’s terrible is that we still have the desire to be geniuses. Becoming a genius is not worth celebrating, because we live in an age of crooked rebellion. If we can choose, which one are we willing to be?






PS: Everything is good in this film, except that sometimes it makes people think that Mozart is an American... It seems that the actors and directors still need more cultural influence...

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Extended Reading
  • Natalia 2022-04-24 07:01:02

    Film Festival re-read. Sighing at the director's meticulously designed structure, how can Mozart's talent be highlighted without mediocre human beings for comparison? ! The rebellion against religion is bold and adds depth to the film. Acting in movies is actually just Tom Hulce's sideline... (Film Festival, Dolby, Giant Screen)

  • Hope 2021-10-20 19:01:06

    A house of fake fur monsters! It is not in line with historical facts, it is only for entertainment and audio-visual enjoyment~ The tube that plays M not only looks like a horse, but also smiles like a horse. No wonder he wears a horse head at the fancy dress party~ His wife is a good girl, although thin but not small in chest~【 Geniuses are always surrounded by mediocrities: father loves money, wives love money, mother-in-law loves money, peers are excluded, bosses do not appreciate] M is essentially the brisk joy of young people, and Americans like him more. Masonic. The male lead is gay

Amadeus quotes

  • Antonio Salieri: [to Father Vogel] So rose the dreadful ghost from his next and blackest opera. There, on the stage, stood the figure of a dead commander. And I knew, only I understood that the horrifying aparition was Leopold, raised from the dead! Wolfgang had actually summoned up his own father to accuse his son before all the world! It was terrifying and wonderful to watch. And now the madness began in me. The madness of the man splitting in half. Through my influence, I saw to it Don Giovanni was played only five times in Vienna. But in secret, I went to every one of those five, worshipping sounds I alone seem to hear. And hour after hour, as I stood there, understanding how that bitter old man was still possessing his poor son even from beyond the grave. I began to see a way, a terrible way, I could finally triumph over God.

  • Emanuel Schikaneder: [to Mozart] Look, you little clown, do you know how many people I've hired for you? Do you know how many people are waiting?

    Constanze Mozart: [shouting] Leave him alone! He's doing his best!

    Emanuel Schikaneder: [to Mozart] I'm paying these people, don't you understand? I'm paying these people to wait while you do nothing! It's ridiculous!

    Constanze Mozart: You know what's ridiculous? Your libretto, that's what's ridiculous! Only an idiot would ask Wolfie to work on that stuff! 12-foot snakes, magic flutes?

    Emanuel Schikaneder: What's so intelligent about writing a Requiem mass?

    Constanze Mozart: Money! Money!

    Emanuel Schikaneder: She's mad, Wolfie. Write it down please. Just write it down on paper. It's no good to anybody in your head. To hell with your death mass.