Heartbroken - Commentary on "Forgetting Sarah Marshall/forgetting sarah marshall"

Lexi 2022-03-16 09:01:02

Heartbroken - Commentary on "Forgetting Sarah Marshall/forgetting sarah marshall" One-

sentence comment: When the actors on the screen are on the screen, either the scale is too wide or the vision is too low, this film is an example.

It's sad to watch a movie like this. It's heartbreaking to see my favorite TV actor spoil me so much on the screen. On the one hand, he hates the countless bad Hollywood movies and burying so many idiots and women;

There is almost nothing worth mentioning about this film, except for the star's die-hard fans, it hardly attracts much attention. Jason Segel's image of the cute big boy in "How I Met Your Mother" has been preserved, Kristen Bell is gossiping in "Gossip Girl", and the murderous "bad" in "Heroes", Take it to the next level: the beginning and the end are abandoned and finally set on fire. There are so many movies like this, that there is nothing impressive about the plot: the actress dumps the otaku, the otaku walks out of the house, meets a young girl, the actress gets lost and returns, and the otaku loses his love. Any company will churn out a variety of films of this type and plot on a hot summer day. After all, the two actors are still in their prime in the TV industry, and they are prospering. Maybe I wanted to take advantage of the opportunity to develop the film industry in an all-round way, from a young age to a big one, so I tried to keep a low profile at the beginning. It's a pity that the two are really not the best among handsome guys and beauties. Jason Segel's bloated frame and Kristen Bell's thin frame make watching the film a charity. Only Mila Kunis is a kind of consolation, perhaps making the audience feel regretful about "flowers in cow dung" in the finale of the film. The low vision has reached the realm of otherworldly.

There's a reason the film is R-rated, because showing flesh isn't really the sensational way the actresses in the film are looking, so the job of showing up falls to Jason Segel. The comedic effects of the beginning and the end are all nude in what appears to be a back-and-forth. It implies that the male protagonist cannot bury his "specialties" despite repeated setbacks and a bloated figure. The language and songs of the film are also wretched and unusual, with the attitude of "cardamom blossoms on March 3rd, a bug digs into it". As for the arrangement of the plot, it can be said that although the director is a screenwriter, his ability to cooperate with the screenwriter to tell a good story still needs to be improved. There are too many exciting changes in the film, but none of them can play well. For example, the two groups of rivals have shown complex feelings of hostility but mutual sympathy, but they have to walk out of a routine of "regret-resentment-drive away-return". In the re-entry plot, there were several preparations for the role played by Kristen Bell. And her efforts, attachment, and jealousy to the male protagonist have become unreasonable. As a die-hard KB fan, you are complaining about your idol. Helpless, the director and screenwriter's will is as big as the sky, and he would rather create a "Beauty and the Beast" than a "butter lollipop".

If there are still people who don't know how much shock the writers' strike has brought to Hollywood, the concussions of writers and directors after the resumption of work can probably be seen.

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Extended Reading

Forgetting Sarah Marshall quotes

  • Sarah Marshall: [to Peter] I took love seminars, sex seminars, so don't you dare sit here and tell me I didn't try because I tried really hard, you were just too stupid to notice.

  • Sarah Marshall: [to the criminal] Life's a bitch.

    Animal Instincts Detective: [to the criminal] And where you're going, that's what you'll be.