This Is the Way the World Ends

Kiera 2022-01-26 08:02:37

Many people might find the movie “The Graduate” jarring. It is filled with alienation and despair, which is depicted as “people talking without speaking, people hearing without listening…no one dared disturb the sound of silence.” So bemoans its catching but sorrowful theme song, “the Sound of Silence.” However, watching the movie left me with a sense of de javu. Forty years before the release of “The Graduate,” TS Eliot already portrayed this same kind of loneness and desperation in his also well-known poem, “The Hollow Men.” He evoked this despair with the lines “shape without form, shade without color…gesture without motion” (Line 11,12) matching the brilliant lyrics quoted above. In fact, “The Graduate ” characterizes exactly the “hollow men”, echoing the poem's notion of the shatter of dreams, the emptiness of minds,and the despair in the world.
The wide gap between reality and the ideal is a common subject in many kinds of art and literature, but “The Graduate”, as well as “The Hollow Men”, illustrates this gap with such strong negativity and despair. In the first place, dreams and ideals are themselves evanescent and fragile like bubbles ready to burst. In the only scene in which Ben has a description of his plan for future, he says so vaguely and timidly:
“I'm just -…”
Mr. Braddock: “ - worried?”
Ben: “Well…”
Mr. Braddock: “About what?”
Ben: “I guess - about my future…”
Mr. Braddock: “What about it?”
Ben: “I don't know… I want it to be—”
Mr. Braddock: “To be what?”
Ben: “…(quietly) Different…”
With a hollow and disoriented life, the hope of being nothing more than “different”, as Eliot phrased it, is “The hope only/ Of empty man.” (Line 66, 67) Secondly, even with a simple hope as discussed above , people are alienated from their dreams by reality. For example, pregnancy disillusioned Mrs. Robinson's passion for art, directly leading her into a marriage without love and a life filled with emptiness. Even more impressive is Ben's changing attitude towards water. Obviously, he struggled a lot when he was first forced into the water, indicating his effort to defend his ideals (in this case, “to be different”). As time goes by, audience can notice that he becomes willing to jump into it, implying the overwhelming reality gradually internalizes him.It should be noted that Eliot already describe this helpless and disappointing process in the poem: “Let me also wear/ Such deliberate disguises/ Rat's coat, crowskin, crossed staves” (31-33)—an ugly but inevitable assimilation to become another “ hollow man”. Most importantly, all of this compromise to reality leads to nothing good. After all the experiences of becoming mature, characters in the movie are as disoriented and empty as before. We can infer this from Elaine's emotionless face when she is walking away from the wedding, and from Ben's emotionless face after smiling awkwardly on the bus at the end of the movie. Everywhere falls a desperate shadow “Between the idea/ And the reality/ Between the motion/ And the act/… Between the desire/ And the spasm/ Between the essence/ And the descent” (73-90).It's like an eternal trap ensnaring everyone from reaching out to dream and to be different. It's a “death's dream kingdom” (20) that “no one dared to disturb.” (from “the Sound of Silence”)
This movie which exposes the disillusionment and emptiness of modern life made me extremely upset for a whole week, not because I felt sorry for the well-characterized people in the movie, but because I felt sorry and exposed myself. I used to feel that people talk, write, and blog continuously without thinking and evaluating. My role was sitting in the middle passively with no clue what to do, yet with a fear of others and society. There must be something missing not only in me but within the “busy humanity which is leading us to some terrible situation. And then I read the poem “the hollow man” and it came to me: “this is the way the world ends, this is the way the world ends, this is the way the The world ends, not with a bang but a whimper.” (Line 95-98) When dream no longer exists, when people no longer listen to their hearts,when communication no longer has meaning—when silence takes over, then will Doomsday come? Just like the final question “the Graduate” left us—when Ben and Elaine get on the bus, the driver asks: “Where do you want to go? "To the end." Then the bus drives away from our sight, leaving us wondering where and what will be "the end".

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Extended Reading
  • Irving 2022-04-24 07:01:03

    The part before Elaine knows the truth is more flavorful, the characters are well-acted and they all promote the development of the plot; the second half is a bit cliché and bloody, and the characters and conflicts are handled in a soap opera mode... I have to say, Mrs. The scene where Robinson seduces Ben is too classic. The introverted top student plays a romantic woman with just the right amount of drama.

  • Stanford 2022-03-22 09:01:21

    If the latter part is written as: Benn and Elaine get married, so that he can sleep with Mrs. Robinson at home, this film becomes an ethical film; after writing Benn's insight into the hypocrisy and vanity of the adult world, he can do it with ease, and finally change Become an empty and boring winner, this film has become black humor, and I like the latter one. As a satirical comedy, many shots of this film are set up very well.

The Graduate quotes

  • Mrs. Braddock: [Ben is shaving in his bathroom] Oh, my.

    Benjamin: Hi.

    Mrs. Braddock: Hi, can I talk to you for a minute?

    Benjamin: Sure.

    Mrs. Braddock: Benji... darling, I'm, uh... going to ask you something, but you don't have to tell me if you don't want to.

    Benjamin: What?

    Mrs. Braddock: Well, I was going to ask you what you do when you go off at night.

    Benjamin: When I go out?

    Mrs. Braddock: You don't have to tell me, if you don't want to.

    Benjamin: No, I do, i want to tell you: I drive around.

    Mrs. Braddock: What else?

    Benjamin: Nothing else.

    Mrs. Braddock: Well, you don't drive around from midnight til noon the next day, Benjamin?

    Benjamin: Oh, no.

    Mrs. Braddock: Well then, what do you do? Do you meet someone?

    Benjamin: [Benjamin nicks his finger with the razor] Meet someone?

    Mrs. Braddock: Hm.

    Benjamin: Why do you say that?

    Mrs. Braddock: Well, this is your business. I won't play games with you.

    Benjamin: No wait, wait! I don't meet anyone, Mother, but why do you say that?

    Mrs. Braddock: Benjamin, I don't want to pry into your affairs, but I would rather you didn't say anything at all than be dishonest. Good night.

    [Mrs. Braddock leaves]

    Benjamin: Well, wait! Wait a minute!

  • Mrs. Robinson: [gets into Benjamin's car] Drive down the block.

    Benjamin: Mrs. Robinson, Elaine and I have a date, we're going for a drive.

    Mrs. Robinson: [angrily] Do exactly as I say!

    Benjamin: [Ben drives down the block] Now, it seems to me...

    Mrs. Robinson: Listen very carefully to me, Benjamin: You are not to see Elaine again, ever! Those are my orders, is that clear?

    Benjamin: Mrs. Robinson, do you think...

    Mrs. Robinson: I can make things quite unpleasant.

    Benjamin: How?

    Mrs. Robinson: In order to keep Elaine away from you, I'm prepared to tell her everything.

    Benjamin: [Ben stops the car] I don't believe you.

    Mrs. Robinson: [threateningly] Then you better start believing me.

    Benjamin: I just don't believe you would do that.

    Mrs. Robinson: Try me.

    [Ben gets out of the car]