suppress violence with violence

Chelsea 2022-03-20 09:01:26

【A-】After watching this film, I feel more and more that Cronenberg's skills are profound, and there is almost no waste scene in the whole film. The opening sequence of a long shot, the introduction of the main characters, the jumping and extension of objects and backgrounds within the frame, and the occurrence of events outside the frame, the rhythm of this segment is perfectly controlled. The subsequent second indoor shot follows the killer, and through subtle arrangements, we find another innocent person killed under the table (this shot is similar to the encirclement in the oil company in "There Will Be Blood" wonderful). The design at the end is even more exciting, without the existence of any language. In the warm-toned space, the violence is finally dissolved, and under "love", it returns to the right track.

Stefanie 2022-04-22 07:01:05

Three and a half. The male protagonist holds up the whole movie, and his personal role is 200% complete. The rivalry with his son, wife and enemy is even more remarkable. He is not the kind of actor who faces all the scenes with his consistent acting. He is adjusting, he is in Judging what the scene is about, what is needed, and most importantly, what is the relationship between me and my opponent actors, and how capable the opponent actors are, including how the director will shoot, this is a comprehensive and difficult judgment to execute. Aiming at that space, shrinking in and showing it grandly and beautifully, he is very good, and interprets violence in a comprehensive and profound way in a way that is not "violent".