[Please don't watch this movie as seriously as I do, please spray lightly]
I thought about a lot of reasons to give him a high score: Sawano's soundtrack, Uncle Masato's dubbing, exquisite painting and gorgeous color matching, etc., but I still gave him a 4 in the end, as the plot progresses and unfolds , I became more and more firm in this idea... There are also many abrupt places in the work, such as the forced insertion of the Japanese fire fighting myth, such as the embarrassingly digging out the names of weapons and machines in the three rooms and one hall after listening to it, such as making people feel The plot hints that look through the ending at a glance (squinting eyes are really monsters), such as the character of the protagonist, etc. In fact, the setting of the animation in the plot is still the very traditional binary opposition pattern of Japanese animation in recent years, such as "Tokyo Ghoul", such as "Attack on Titan" (should be reluctantly counted) Although I think these antagonistic animations are finally There is no satisfactory ending. This may also be because the author cannot ensure the direction of its development when unfolding the plot. In the end, it will either be anticlimactic, or it will be rotten... Most of the routines of this kind of animation are to put a very important first. A stark human vs. Burning/ghoul/giant confrontation is laid out, and then this confrontation will slowly ease as the truth emerges, and eventually either reconciliation (Promea's Full Burn/Rc Cell Adaptation The ghouls eat food), or go to an extreme destruction (everyone knows this), and there will definitely be a boss who manipulates the situation, he will either be influenced, killed, or his plan succeeds... Fire It is a crucial element in Promea's film, and it has a series of symbols throughout the play: for the Burning Race, it is a survival instinct, impulse and fate; for Leo, Prome Ya's Fire is a responsibility from the Burning Clan, and anger at the elitist racist Gulei as a fellow Clan. In fact, it was in the image of the protagonist Gallo that he experienced a "negation of negation" about fire. For the reckless, honest, frank and enthusiastic fire in his character, it is an affirmation; while his occupation as a "firefighter" requires him to destroy all wildfires that harm innocent people, which constitutes a denial of fire; After the abuse and oppression of the innocent Burning Race, as well as the understanding of Gulei's conspiracy, the negation of the denial of the living fire represented by Promea lies in the elimination of the evil fire of destruction, greed and arrogance in Gulei's heart. Promea's Active Fire repairs the space gap between Earth and the Promea parallel universe. When Gallo's "extinguishment" was truly completed, fire, as a special energy in a parallel universe with different time and space, as a substitute for a certain "absolute spirit", also completed the activities of dialectics. higher-order cosmic transitions ——And time and space are destined to be something that humans cannot grasp with knowledge. After Promea leaves the earth, the protagonist has to save the unwashed elder brother Gu Lei again, which is also one of the deduction points of this movie... Obviously, in this anime setting of the struggle and coexistence of humans and aliens There is a kind of nationalistic projection behind the set, (for example, in the pizza shop, customers scoffed when they found out that the pizza was baked by the burning tribe) and the ultimate core matrix of this kind of Japanese animation is the symbiosis that has reached a new stage - whether it is eradication Heterogeneous, influence aliens or contain aliens. In this sense, there must be a description of the destructive power of alien groups, and the depiction of the persecution of potential alien groups (Burnt / underground ghouls expelled by the CCG / Eldians expelled by the Marais) , and the final symbiotic state. Behind this kind of animation writing, the master-slave dialectics of humans and aliens will eventually reach a negative ending. To sum it up, the film slims down a regular Japanese human-interracial dualist anime routine from a bloated manga into a nearly two-hour movie. From my personal point of view, although I only give him a 4, one of the advantages of this film is that he has a very wide audience. Regardless of whether you are a person who is familiar with Japanese anime or not, the screen design, character, and BGM of Mr. Sawano are all very flamboyant (it is recommended to brush NEXUS
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