I heard others comment before that Director Guo's aesthetic movements are online, but the screenwriter is not good, and the narrative ability is too poor. After reading this, I realized that it was right. As a ten-year reader, when I was a child, I felt that some novels might be good-looking, but the rhythm was very unstable. Guo was particularly good at using full emotional pull to affect the readers' emotions. Suddenly a highlight moment, and it is the same now, some plots are famous scenes. The emotional stimulation is well-placed, but the gentle plots that serve as transitions are not well written, and the characters are often misplaced. For example, Lin Xiao will say some harsh words like Gu Li, which is inexplicably not the key content. The same is true for this Qingya episode. The character design doesn't seem to stand at all. Zhao Youting is particularly good at acting in tragic scenes. It was a tragedy when he came up. Can the master still laugh when he is dead? The character of the character should be determined by his life experience. He was a person whose mother was killed as a fox demon and his master died to save himself. If it is a relaxed and romantic character, then this kind of romance can only be an illusion, unless he is White-eyed wolf...I really want to express his romantic and suave character. It can be said that there is a hidden humiliation and a strong atmosphere behind it, so that the character has a level, but he took Boya to watch his memory and did not express anything deep. To the simple sadness of the beginning. Guo Jingming didn't set up people at all, what kind of people is Deng Lun's Boya? Love and hate? Responsible? Deng Lun's acting skills are indeed natural, but the screenwriter did not give him more and more reasonable behaviors. The reasoning part in the middle is also, the role of the demon is too heavy, although it is really scary, and the characters in spring and summer are also thunderous and rainy. I feel that the four mages should be on the same level, so how could it be solved by He Shouyue? easy.
Throughout Guo Jingming's previous novels, there is such a problem. The most different from other people's novels is that people write stories, and they don't write nonsense that has nothing to do with promoting the plot. And Guo must be mixed with something irrelevant, the novel is mixed with his convoluted sad quotes, the movie is to add some funny lines, add some muscular naked men (it's okay, this can be), but the rhythm problem is too big! If there are too many clips, the rhythm and narrative will be easily disordered. He also has to let the actors tune in according to his tune. With that expressionless face and pale lines, the whole narrative is very powerless, people can't set up well, and the characters The motivation is not strong enough, which leads to an anticlimactic, and the story is extremely lacking in logic.
That's why he tells bad stories. The beauty of his novels is only in some words. The surface of the words is gorgeous, but the content is empty. This hole is not to say that the story is not high, and it does not have to be high, but the logic of the characters and characters in the story are inexplicable, and the rhythm of the story is all the same. There is a problem, there is no way to fight against those really good novels. Li Feng, the author of his original, is the only one who is telling stories well, not writing those inexplicable words.
The same is true of his films, which look like they are superficial, but in fact the story is not at all exciting.
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