As an independent woman, she herself is a combination of human nature and divinity. She faced the new aristocrats represented by uncles and sisters round by round to escape the burden of the divinity of the old era. She saw countless British people eager to escape when the empire fell. The dust aroused; after seeing the old aristocrats represented by grandmothers and Churchill pay a price that goes against the humanity of the new era, she heard the same number of British people who are reluctant to let go of the light of the sun. They were all "British", and the crown was as heavy as a mountain to her at this time. (It's nice to see that in the ep 10 dialogue, the writer also mentioned that every modern king is half-king and half-man)
When faced with the imperial life that she should be familiar with, but it can be said that she is unskilled, this young, even some ordinary woman is so familiar and at a loss.
Great Britain after World War II was facing an unprecedented crisis. Although they had already foreseen this sinking in their hearts, when the sunset really came, they, especially the monarchy, still longed for the sunset reflected in the sky to stay longer. Therefore, the monarchy As the most staunch defender of the monarchy, on the one hand, it must maintain the dignity and nobility of the royal family in modern society, and on the other hand, it must protect its own WINDSOR family under the wave of world revolution. She allows us to see a monarch in transition, a world where the word monarch seems a bit outdated, striving to maintain and changing all the time, walking on the tightrope of the world's evaluation of the monarchy, so that Great Britain will at least be at least after the sun goes down. Still the United Kingdom.
It is repeatedly emphasized that the monarch is the guardian of the monarchy. She is not equal to the monarchy, but she represents and guards the monarchy all the time. She recognizes the limitations of the monarchy but cannot give up her name. The girl was carefully wiping an antique, for fear of wiping off the solemn patterns of the antique, but also terrified of not being able to wipe off its stale dust.
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