Watching Jordan pelle's film for two days in a row, unlike the previous get out, there is no obvious part about racist, I think it focuses more on a level of class solidification; the structure of the story makes the two groups who are not at fault have to stand Opposite, a stupid and failed government project keeps clones living underground like puppet zombies living ridiculous, meaningless lives, until the heroine and the stand-in meet like fate...
In the process of watching, there are infinitely many foreshadowings in the early stage and in the process. The compactness of the story makes it too late to think about these seemingly "useless" foreshadowings, which actually play a meaningless and redundant role in the subsequent "reversal". When the heroine got off the car to look for her 'daughter', I was still angry. The director was asking the protagonist to give away the head in order to advance the plot development. It turns out that the idiot was not the director, but me who saw the movie as an ordinary horror movie.
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