When I finished watching the fourth part of the series, if it wasn't for the title of the male protagonist, I wouldn't have watched the fifth part. I have lost its original charm and expectation, but, people, this thing, feelings, You can always hit the depths of your soul, or maybe you always want an ending, no matter what the outcome is.
The length of the film is the shortest in the series, which is worthy of praise. It ends early and releases it early. Perhaps the most mindless commercial film is similar to this one. It is based on the premise of the protagonist's opening and hanging, and the scene explodes as the keynote. A series of "visual feasts" have been launched, rampant streets, combat helicopters covered by firepower, and more blood. The effect allows you to see enough at a time. Enough is enough, enough is overflowing.
As for the reversal plot, it's okay to make the reversal with its own good attributes so mediocre. Maybe the screenwriter just wants to show his IQ, show his strategies, and let the audience know that he was moving when he wrote the script. Brain, um, must be.
Maybe the male protagonist really can't stand alone, so he has to arrange a son's role as a partner, otherwise why can't the two partners spark, or even exude personal charm, it is still the male protagonist's fragrance, except for age Others hang their sons. But the male protagonist is really old, the kind that can be seen by the naked eye, time flies like arrows, the first time I saw him it seemed like it was yesterday, when he was in his prime, the hormones of youth were unobstructed, and his flexible and strong body was still running wildly. , but at the moment has gray hair.
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