Remember a few points that may be explained later in the plot, temporarily not understood, or possible bugs.
S01E01 Questions about person design: Why is the Tiedemann family so pressured to repay? Although the nuclear power plant will be gone next year, his family still looks rich. .
S01E04 J bicycle and red rope found on the side of the road. The red rope may be a metaphor for the red rope in the labyrinth, but when did they put it there? E05 Bartosz threw a bicycle in the same place when he met Noah at night. Is it the same car? If so, how did it travel from the next day to the previous day?
S01E06 A possible small bug: Regina said that Mads went home with her because K&U bullied herself, so she disappeared while walking through the woods. It looks like Karma (retribution to the wrong person). But K&U's bullying of R should happen after Hannah falsely accused U rape K and spread the news of R's false accusation, but M had disappeared four weeks before this. Is it a bug, or K&U always bullies R (she seems to be bullied often), or R deliberately made up angry U? ————This was explained later. It was K&U who often bullied R. It happened in the summer when he was tied to the woods. It was indeed karma, but it was a pity that innocent people were involved.
S01E08, what is the injury on Tronte's hand? ——This is an explanation. It was an injury in the asylum as a child.
S01E09, Tronte and Peter said that Claudia said that Mads would be resurrected in a few days. What happened later? (It is estimated that it was simply a pigeon?)
Other questions/Tucao in the first season:
What is the time machine made by Noah? Is it the prototype of the later portable time machine? Why did you make machines in that space-time in the 1980s? Is it because there is a channel formed by the portable machine built after this prototype is built, so that it is convenient to pass time to throw corpses when there is no machine? So this machine still has a source, why not just like that one? Like HG's book, let's make a bootstrap paradox. Or does that book actually have a source?
Why did Noah choose those children to do the experiment? (It seems that I can’t explain it... Maybe it’s God’s arrangement, the script has been written... um...)
In addition, it seems that face recognition is not only a test for the audience, but also a big problem for people in small towns who are very familiar with each other in the play (although sometimes the same person is of different ages), and why there is no DNA test in criminal investigation cases in 2019 ( I look forward to WD's DNA test results hhhhh), alas, forget these as basic settings.
Does the meaning of yellow have any deep meaning in the play? (Yellow raincoat, yellow barrel, Mads body wearing yellow sun clothes, yellow radiation protection suit, even the yellow sofa next to the cave)
Another thing is why a small town that built Germany's first nuclear power plant is so closed and backward?
And why Bernd wants to give his lover, not his son, the nuclear power plant that he has created for his life. The son is just a bushi for the nuclear power plant. . . Shouldn't this kind of own business be a family business and passed on to your own son, although this son does not seem to be able to support a nuclear power plant. . Then marry him a wife who can support him (Aleksander just became a parent and became the head of the nuclear power plant).
Speaking of it, although the timeline of this drama is continuous, it always gives people a sense of a break in the relationship between the characters and the characters (mainly between the two generations) (except for the male lead, after all, the show is more complete). There is a significant difference between the occupation and social status of parents and children. When a person is a child/young, the personality is very different from when he grows up, and the occupation is also very different from that of the young person. Of course, there are also more consecutive times. For example, Claudia and Tronte were attracted to each other when they were young, and grew up in a lover relationship (so why not get married directly...). For example, Egon has been displeased with young U after arresting adult Ulrich when he was young. , U became a policeman because he was very hostile to Egon back then, but this is more like the continuity of the storyline rather than the continuity of the character/character.
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In an episode of S02, Claudia traveled for the first time, but she probably didn't have a mobile phone. The mobile phone was taken away by adult Jonas. But after knowing the principle, you should be able to use other things instead.
S02E05, the development of the character story in this episode is a bit strange. Egon suddenly prevented Ulrich from taking away his son, and Mikkel had no response to his father being taken away; and Jonas was suddenly indifferent to his mother, although some small contradictions had occurred before, but . . After the two participated in the discussion together, I thought it should be better, but the result was still so strange. Maybe this plot is necessary for Hannah to steal the time machine later.
The time portal in 1921 seems to be able to go whenever you want. There is no such thing as a 33-year cycle. At once. . very convenient?
S02E05, Adam said that the world without God and time is actually a lie. In the end, there is still time to open the knot to return to the normal world, but there is no loop. ——Indeed, the whole world was destroyed (but it was not destroyed in the end...)
S02E06, I actually didn't understand why Adam said that Micheal was not dead when he persuaded Jonas, and then Mikkel would not be able to cross (there will be no more Jonas). There seems to be no inevitable connection between the two? If Micheal is not dead, Jonas can go to the cave with his friends, and Mikkel can be sent into the cave (unless Micheal is blocked, but if he thinks of blocking Jonas, he will not be born, or think of some "big plan", he won’t Stop it)-In fact, there is really no connection. Micheal died only because he was already dead in objective history and Jonas' personal history, and was destined to die. Mikkel's crossing was not because of Micheal's death, but because it was already a fact, it was destined.
And Micheal is really strong. I read the letter and I remembered it all silently, and he was so smart that he was only part of the big plan in less than a day, and his destiny to die calmly (although there is a description of how he was very smart when he was a child Yeah, but still...). It can make people give up their survival instincts like this. . . Probably there is only religion. Many people here also do things that seem to be “have to” because of “belief”. “Belief” (religion) “reasonably” promotes the development of events that causality cannot take care of. But I still feel a little bit blunt. Human survival instinct should not be obliterated. I don’t like to watch the calmness without resistance. I want to see more free wills. Seeing the deaths of some characters in the play, I didn't feel the helplessness of the "causal cycle", but was puzzled and regretful of being at the mercy of their fate. In fact, when Micheal went to die, I think the better way to deal with it is that he died for the sake of family. He didn't want everything to happen, Jonas didn't exist, instead of his own initiative to think about some big plan, just let Claudia explain it. Speaking of this drama, parents’ bonds to their children are very deep. It is shown again and again, but there are many phenomena of father and mother killing (of course, there are also affectionate parents, such as Jonas, but the obsession with the death of his father is still It's not as deep as the obsession with Martha's death), it is also a reflection of some Western culture inherited from Greek mythology (losing innocence).
Besides, Mikkel clearly did not believe in God when he was a child, and when he grew up, he believed so deeply, "God has a plan for everyone", so he believed that he could go to death calmly. Perhaps it was really because of the remodeling of his personality that was caused by this incident (perhaps It also partially explained his strange behavior of not escaping with his elderly father?). People who have experienced time travel might have to trust God? (Doctor smiles, I'm God?)
S02E07, another father killing, in order to make people feel painful, so as to "become the self in the future." In order for the plot to proceed smoothly, the characters gradually "grow into", this drama is necessary, but Egon's emotional transition (same as Michael) is a bit blunt. To be honest, I don't like this way of deliberately "destined". And if you can really "not become the self in the future," doesn't it mean that the cycle can be broken? The current cycle seems to be maintained by these people on their own initiative. What if no one has tried to break it?
——After watching the eighth episode halfway through, the causality in this play is not only causal, but also causal. The effect exists and the cause must exist, so even if there is a "free will", even if you try to break it, it will not converge. To the final fruit. No matter if it's "easy to be righteous" but "struggling to get rid of", the result is the same, it's all in vain (Nevertheless, I still don't like some people who don't know these rules and don't have the will to survive. Even if it's in vain) , Human instinct should not be so). And speaking of it, many of the initial wording in the play is actually very confusing, such as "If xxx, you will not become xxx" "xxx must die, so that xxx can become xxx afterwards". There is nothing for nothing. These things happen only because they have already happened and they must happen. The so-called "causal relationship" is just a certain relationship floating on the surface of "predeterminism", a kind of epiphenomenal. I am curious about what form the final "break the knot" will be expressed in such a worldview. Or, in fact, the worldview of this show is not a complete prerequisite. Although it is a knot, it is not a loop knot, but the source is hard to find.
S02E08, since young Jonas knows that closing the channel is futile, why would adult Jonas still actively shut down the channel? Young Jonas can't know more than adult Jonas is the iron rule. . .
Can't remember which episode, a very small point. . Why does Noah know that Jonas and Martha will kiss each other? This is not written in the historical record. . . Or. . . Noah knew from his dad (why would his dad tell him this...), his dad knew from him. . . Another bootstrap paradox!
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S03E01, adult Jonas has never met Martha in another world before (as a teenager). It seems that "cause" or "past" can be different, but if the source is not solved, it will eventually converge to the final result. But can a person with different experiences count as a person? Will Jonas who have been to another world and have seen another Martha grow into the adult Jonas and older Jonas he saw? Even if the experience is roughly the same, the memory of details will be different. Can this be considered the same person? However, alternative reality seems to be mentioned in the spoiler, so let's watch it again.
There is also a very minor point: How did Katharina get the Kanwald house in another world?
S03E02, there is also this pedigree in the play. It’s a bit different from the official picture. Regina’s father is Tronte here and Bernd in the official picture. Interesting and interesting. It seems that no one but Claudia really knows who Regina's father is. Claudia is a mystery to Eva and Adam, who seem to know everything.
S03E04, in this episode, I want to say "the mind is inexplicable, it is arbitrary", so do you engage in so many inexplicable sex? . . However, it was still too weird, too weird, too weird, as if it was a necessary sex in order to mess up the world (Martha was pregnant and gave birth to unknown). . .
Fortunately, there were more group portraits in the first two seasons. In the last season, there were more male and female main roles. Every time they were on the screen, my whole body was roaring: The acting is not good, so slow, so sleepy! ! ! ! ! And the person who plays Charlotte is also very clumsy. I really didn't see any feelings between her and Urich in the affair. In contrast, Hannah's role is very bitch, but she plays well.
S03E06, so how could it be possible that a coin "Helge has been carrying" and appeared with the corpse again in 2020? If 1987 were tossed with the corpse, then Helge shouldn't have it. . .
In the other world, most of the people who traveled through time were actually saved by the future self, and there was no plot development at all. . It's very. . stiff. There is limited space to understand the narrative, but it still reduces the rationality. If you want to be able to save yourself, this world does not need so many plot developments. It is only necessary to rely on the future self holding a small whip to push it behind (it seems that many plots are indeed like this...)
etc. . . How come Egon has become Eva's follower? Wouldn't it be better to let Hannah's daughter save her? . .
The question in a previous episode: Why can the channel of another world lead to the future? Is this channel opened in 2020? Unreasonable. Why didn't the passage form when the 1987time machine was turned on? (It also means that people in this world cannot go there through the passage in 1954, but it seems that there really is no important person to go there through the passage...)
S03E07, it took young Jonas two days to make a time portal, and it took several years for adult Jonas to make it in 1988? But maybe the equipment to be used was difficult to make in the past. . . It is also possible that adult Jonas had already built the machine in 2053 (after all, he wants to travel back to 2019?), young J can use it just by turning on the switch. . -Indeed.
wait. . Shouldn't the bunker in 1986 be the children's room? Why is HG still working there. . And why HG can work here because he is Peter's grandfather-in-law?————It turns out that this is the source world! ! ! But still, how do you use Peter's bunker?
How did Noah get to 1921? If the portal opened in 2052, travel would still make sense, but before 2041, he broke with Jonas. . The official website said that he traveled back from 2041, so he didn't make sense. However, many of Noah's travels don't make sense, especially how he went to 1921 from various points of time without a time machine (there was a portal from 1921, but there is no back, or the portal can be two-way...). . .
Noah knew the rules of the game when he was very young, why didn't he know when he killed Claudia and Noah later (not sure, look at it when you second brush).
Speaking of it, some time travelers should know some historical progress. For example, Noah should know what the time machine prototype should look like (unless Adam didn’t say & didn’t write it in the leather notebook, it’s unlikely?), it was successful on Helge, But he still used immature instruments to kill three children "according to the established history". I wonder if it is a bug or a depravity of human nature?
2040 After Claudia kills Claudia in another world, will he get a new item, time sphere, and then be able to travel everywhere? Alas, advanced technology is convenient! ~~~ (Adam is not good, Eva is high)
Why did Helene say "I have knocked you out" when he hit Katharina? ? ? Did you admit the wrong person? According to age, K shouldn't be the child of H when he was 12 years old. . Is it because adult K was older when he saw H, so H thought she was the child she killed and survived? --Yes.
People in another world are good tools, and the psychological changes of the characters are too blunt, especially Martha. . . Inexplicably xxoo with a stranger, after that the death of the stranger became the pain of her life (the death of her relatives did not feel much trauma to her...), ran to prevent Apocalypse from being persuaded to go to the other side casually, and left it behind. The world and relatives here are going to rescue a stranger who slept for a night. In a reality, they were persuaded by Bartosz in a few words. After being cut out for some reason, they helped Eva to do things again, and killed the former heart by himself. Jonas. . . The whole wall of grass listened to everyone's words, swayed and swayed, and the affection and unfeeling for people were inexplicable, so what to do with Eva in the future. . . Incredible. No wonder the actors are acting boring and confusing, maybe the actors themselves are very confused.
S03E08, why Adam's first reaction when he saw old C was ordinary people's "you are dead"? ? As a time traveler, there is no basic concept of "version"? Isn't this the younger version before the death of old C? . . (Of course it is also possible that old C did not die, because the rules of the game made her not die, or she could also create some alternate reality...Anyway, there are various ways to live, as long as the "script" makes her live...)
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It is said that after watching some spoilers and watching the drama, there is a subtle feeling, that is, watching the written script being performed step by step, the same resonance as the fate of the characters in the drama. The script of the story and the script of life are actually similar.
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