About loneliness, about desire, about marriage, about life, about redemption.
Light and restrained, gentle and beautiful, even if there is a very intense undercurrent, it is only described in a eloquent way. As if the ever-present wind whispers, it is a movie whispering in your ear.
It filters or washes away some of the unbearable, explosive, viciousness of life/life, and turns the hero and heroine into two insects that move delicately in a glass cabinet.
Yes, a person has a person's loneliness, whether this loneliness comes from the family of origin, temperament, or material desires. And all loneliness eventually becomes a castle, imprisoning us and protecting us at the same time.
In order to release this loneliness and achieve inner peace and stability, we will seek our own salvation in the world - Tony chooses work, Keiko chooses clothes.
Clothes are containers that wrap both our bodies and our souls. It is the developer of desire and the lone drift bottle.
In the end, I have to say that Miyazawa Rie is so beautiful, she is graceful and graceful in all kinds of dresses, and she is beautiful when she wears a simple white shirt. The beauty of the still water flowing deep, the graceful and classical beauty, is the kind of beauty that is like a dream, like a fantasy moon, if it is like a flower, it is so beautiful that it is like an empty mirror, fragile and decisive.
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