flock of birds

Winifred 2022-03-22 09:01:21

The plot of the first half of the film is too long, the ending editing is very compact, and the soundtrack is not used in the whole film. In addition to the discussion of the relationship between man and nature, the film establishes a special connection between the protagonist's family and the flock of birds' attacks. The initial attacks mostly occurred when the possessive mother rejected the arrival of the heroine. This symbolism reflects the real problems of such families, and the lovebirds in cages are also a form of surveillance oppression and a cry for freedom. This is my second Hitchcock. Compared with "Psycho", it has more disaster elements, less horror and suspense, and a medium look and feel.

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Extended Reading
  • Alexys 2022-04-23 07:01:26

    [Beijing Film Festival Screening] Huaxing IMAX giant screen 4:3 full screen effect perfectly sets off the tense atmosphere of the film. It seems that the overwhelming flocks of birds are rushing towards the audience in the cinema, with a strong sense of horror. The shooting method of several scenes of birds attacking children, houses and gas stations is still amazing and terrifying even today for more than half a century. The bird in the opening credits is imprisoned in a cage, and the man in the ending movie is trapped in the house by the bird. Sobering. I like the ending of the film where the future is uncertain, the reason and the ending are unknown. After leaving the theater, I heard crows cry, and my heart was filled with sympathy.

  • Shanon 2022-03-25 09:01:06

    After the "mental illness", he panicked again. Both the visual level and the auditory level of fear are blowing in the face. "MacGuffin" is very obvious. The unprovoked attack makes people feel terrified. A large section of foreshadowing has created a change in attitude, from rejection to acceptance. After the extreme blow, the pain of the past paled in comparison. Is Acacia the source? Is the end of the film the end?

The Birds quotes

  • Mitch Brenner: You like me, huh?

    Melanie Daniels: I loathe you. You have no manners. You're arrogant and conceited and... I wrote you a letter about it, in fact, but I tore it up.

    Mitch Brenner: What did it say?

    Melanie Daniels: None of your business.

  • Lydia Brenner: No, they're *not* fussy chickens.