Plot watering is a problem that the Twilight series has been criticized for all the time, and despite this presupposition, the narrative structure of the upper part of Twilight 4 Dawn is still loose enough to disappoint me.
Perhaps it was because the trivial Dawning original was forcibly split into two films, which put forward a very high requirement for the screenwriter.
In the lengthy wedding and honeymoon episodes, the interaction between the two of them like conjoined babies has no significant effect on the plot, but it is pleasing to the eyes as a travel promotion or perfume commercial to satisfy fans, after all, Trump has slapped them all. the CP.
But what was unexpected was that I, who had been dragging until now to make up the lower part of the dawn, was like getting out of the car for a while, lingering and forgetting to return, and I didn't know the whereabouts of the car.
In today's era of capital aesthetic depression, full of politically correct Hollywood casting monsters, it is the audience's luck to have Kristine and Robert who can resist the director's various close-up and long-shot faces (and Taylor's body), and also Watch one less visual feast.
Anna Kendrick, who is now hot in Hollywood, was also at the age of pinch water, but she was as simple as a bewildered wallflower under the background of Kristine.
Although Kristine's acting skills are slightly immature, fortunately, the complex psychological transformation can be compensated by the director's delicate narrative lens.
The tone of the film is also very symbolic, with the director using green throughout to portray the cold, damp, jungle town that seems to be isolated from the world.
The wide-screen frame is especially suitable for capturing expansive natural scenery, and the sometimes blurred shots have a strong Neo-Renaissance style, reminiscent of the dyeing and printing oil paintings of the early last century.
Such a picture fills the audience with a sense of belief, believing that only by rooting in such soil can fascinating fantasy stories be born.
Under the director's savage and unstinting camera, the audience's entire body and mind seem to be transported in the past, as Edward and Bella shuttle between the giant trees of the temperate rain forest.
Therefore, under such a background, a single story line and predictable plot advancement are not abrupt.
The story comes to the lower part of dawn, when Bella gave birth to a daughter who was transformed into a vampire when she was dying in childbirth.
The existence of her daughter Renee Smee is secretly informed to the rulers, the Volturi family, causing an uproar.
Legend has it that vampire children are easily exposed to the world of vampires due to their immaturity. The old-fashioned and strict Volturi family can't tolerate any mistakes. Although Renesmee has a temperature and a heartbeat, and there is no threat, they can't listen to an explanation. .
When Judgment Day came, a great battle was poised to begin.
Although it's a film with a strong female character, the action here is raw, brutal, and powerful, rather than just stacking special effects.
The simple and crude way to end a vampire is to break the neck and burn the body. I enjoyed watching the delightful characters wrestling with each other and pulling each other's heads out.
In the end, the film is a complete example of a Hollywood narrative.
Following the warm story of the werewolf and vampire family breaking the shackles of hatred because of love and compassion, the theme of this one is more sublimated, rising to the level of complexity and integrity of the entire race.
The conflict at this time has turned from the feud between the races to the contradiction between the ruling class and the ruled class within the race, and has reached the white-hot stage of intensification of the contradiction.
For thousands of years, the vampire clans in all corners of the earth have succumbed to the strict rule of the Italian Volturi family. The backlog of resentment and pity for the Cullen family made them run and tell each other.
Under the community of destiny, vampires with different skin colors and personalities from all over the world gather together. They have all traversed the long river of history, each had wonderful experiences, and collided with many interesting dialogues.
The most eye-catching is Lee Pace, who, although he only played soy sauce for a while, also gave an unforgettable performance, and his charming and affectionate qualities came to the fore.
His edge is irresistible, he just lacks a suitable role. Soon, a month later, The Hobbit 1 was released, and his role as the Elf King became a household name.
In fact, vampires have been a cult image since the 1920s. It was not until the 1990s that Tom Cruise and Brad Pitt performed the elegant and affectionate images in "Interview with the Vampire". mainstream impression.
Hong Kong director Lin Chaoxian has also tried his hand in this field. The film released in 2003 has a superb level of scene scheduling. At the same time, relying on the generous funding of capital, the special effects level is in line with international standards, and once set a Hong Kong film overseas box office record.
However, it is a pity that Qianjibian has only tasted the characters' excavation, and the promotion of the plot also lacks a sense of belief. Back then, the emperor blindly held the popularity of Twins, which may have made it difficult for Lin Chaoxian to balance the delicate balance between business and art. Obviously this time he did not exert enough strength and did not show the typical Lin style and standard.
Thousands of Machines change in the public's impression as an easily digestible popcorn action movie, but now there is no other obvious memory point except "Chen Guanxi is a handsome boy".
Some people say that there is a lack of creativity in the 21st century, and it is not easy for the script set by the eccentric to break out of clichés and stereotypes. But maybe we shouldn't put the cart before the horse, the setting is just a form, and the inspiration and power brought by the story are what the people like to hear and see.
Therefore, it is crucial to be able to induce self-awareness within the framework of genre films, thereby deriving unique lines. Plus, whoever has the passion and sincerity to dig out the power and complexity of the story, he can ride the dust.
After all, in this era when everyone wants to be a screenwriter, awe-inspiring audiences are eager to be inspired by genius. On the contrary, it is most difficult to tolerate mediocre people who break the rules of the game by taking shortcuts to achieve great success.
Overall, it is a movie that has something to say, and it also gave my youthful imagination a happy ending.
I still remember that in 2009, when I was in junior high school, Mango TV was still broadcasting to watch the meteor shower, and I was dazed by this exotic atmosphere from the other side of the ocean.
Therefore, although the Twilight series is extremely controversial, it has its own characteristics of the times and market functions, and it is destined to occupy a place in the glory hall of the chick flick field.
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