When I used the water pipe to flush those hostages, I inexplicably thought of the scene when washing crayfish. No matter whether they were fat or thin, beautiful or ugly, they could not escape the fate of being killed.
It’s like in the big environment that the poor and the rich will be harvested, but after the harvest, the class has not changed, so it is not a revolution, it can only be said to be a cruel robbery, whether it is an old man seeking medical treatment for his wife, he thinks The driver, mother and son who helped the heroine, soldiers who extorted madly, and even the heroine, have nothing to do with good or evil. There is no scum left by the little people who have been washed away in the torrent of the times...
In addition, the hostess asked the old servant to wait outside, but she couldn't help being a little anxious when she was making out with her husband. Others were still waiting outside with hope for help, and then she left the wedding and insisted on going to the servant's house, thinking she was Will change fate because of kindness, and then be taken to the barracks to be insulted. It is found that there are men, women, young and old who are bound in the barracks, and there is even a Korean who may have been bound by mistake. I feel that the director may be expressing randomness. . Then I kept thinking that the heroine would be rescued. When the mother and son of the driver asked for the ransom for the first time, her brother asked their father if they wanted to tell the general. Her father said not for the time being. Maybe he realized something. Jiang was still old and hot, and then the second The secondary ransom, but her brother told the general directly, feeling that this was also the fuse that accelerated the death of the heroine. Later, the heroine was pulled out and the soldiers were executed. I naively hoped that the heroine would see the light of day again...
So, if the hostess quickly gave the money to the old servant, would she survive without going to the servant's house? The old servant does not insist on seeking medical treatment for his wife? Why don't the driver mother and son take risks to save the heroine? What if the heroine's brother wasn't so stupid, stupid enough to doubt the kind-hearted driver mother and son?
In short, the director's black background and the randomness in it really shocked me, so let's take it as an anti-war theme.
I read it last night, the writing is relatively fragmented, and some details may be biased. If you don't like it, don't spray it.
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