First of all, I haven't seen the old fans before, so maybe the standard is not very high. Generally speaking, this manga can still pass the time for me, the production is relatively good, and the rhythm and plot are also good.
However, before I watched it, I was told by Amway that she respected women, so I don't agree with it very much. I will explain it in detail below.
Let me say something good first, the proportion of female roles is okay, and there are also women at the top (but there are, but it has not reached 1:1). But we can't just look at the numbers rigidly, so let's take a look at the specific depictions of the female and male characters and the highlights of the whole play.
Take a more important female role as an example:
Ningzaki wild rose.
As one of the protagonist trio, I have to say that she doesn't seem to have much role in acting, and is relatively marginal (I heard that she was later written to death). Gojo Satoru cultivated her like a college counselor. Fu Heihui and Kuzhang Yuren are the focus of Gojo Go's training and the center of the story. (Additionally, when she first appeared, it was very confusing that the knotweed rushed out to save her. I believe she will find a solution herself. This paragraph is purely to express the nobility of men.)
In my opinion, her role is more like a blindfold, telling you, "This show is very friendly to women." If you look closer, it is still a man's perspective. A man's story is a man's growth and what does it have to do with women.
This blindfold looks like this picture to me, there are women, but it looks like they are all men.
Obviously, she is motivated, has an independent personality, is very aggressive and brave, and is very popular. But she was like the glittering female characters in "Conan", and she eventually became a backdrop. These authors are forever capable of turning gold into shit.
Next, let's talk about the male characters in it.
1. Five Senses
5t5's popularity is very high, I don't understand it very much, he should be regarded as a character I don't like very much in this episode. Every time I see him, I only have one thought: pull a fart? What a beating!
The shaping of this male character is really too divine, I can't accept it.
2. Seven Seas Builders
This character has a very full image, with both a rebellious spirit and a sense of morality. It can be seen that the author took great care in shaping this man.
3. Knotweed Yuren
This role, in my opinion, is a bit fake, a typical teenage male protagonist, a little too bright. With this kind of character, there will naturally be some silly behaviors (in other words, he will cheat teammates), I think it is thanks to him that he is a man, if he is a woman, he will definitely be scolded.
4. Fu Hei Hui
I don't understand why so many people like him. The inexplicable and ambiguous relationship between him and Su Nuo made me very disgusted. And that sea urchin head is really ugly.
Look at how many male characters I write at random (and I'm obviously more focused on women when I watch the show). The author is obviously more attentive to them.
‼ ️Finally, say something that makes me uncomfortable.
1. Wild Rose and Zhenyi attacked each other's appearance when they were fighting. I don't even know what jjxx thinks. I have never seen two men fighting and saying "your hand is not as big as mine", why is it necessary for female magicians to fight? shaped like this?
2. Dongtang asks people what type of women they like every day, and usually uses this as an excuse to add some welfare clips. Even though he has a very powerful female teacher, women are still objects in his eyes.
3. The whole world of magic is still engaged in the feudal society, and the big family is obsessed with boys who have inherited the magic. This setting can reflect what the author is thinking. The three views of works and characters are not equal to the author's three views, but they can definitely reflect the author's three views. If he wanted to express the theme of equality between men and women, he could have written about the surprise of the super sassy girls who grew up in the magic family when they saw the inequality of human society (just an example, there may be better similar method).
Wait a minute, I seem to understand, the author is documenting, this is a realistic irony work. Human society is moving from manufacturing to knowledge production. Thirty years have passed under efficiency neoliberalism. In terms of IQ, there is absolutely no asymmetry between women and men, so it seems that patriarchy should gradually disappear completely. However, the reality tells us that the sex difference has not disappeared, but has been reorganized, and women have been reduced to "second-class labor". This is what happens in the magic world where the power of women and men is completely symmetrically distributed. High, really high! ?
4. Female characters are (all!) good-looking
The beauty of almost all means that the author believes that beauty is necessary for female characters, and that women must have sexual value. How I wish there was a female character similar to Sex Zhuandongtang, without beauty, but strong and powerful.
5. The setting that makes me very uncomfortable is that the strength of the magician is basically doomed by nature, and the weaker will not improve much even if they work hard. Isn't this a reasonable excuse to first arrange for female characters with individuality to attract fans and then marginalize them? Besides, what is so bloody when strength has nothing to do with hard work? Isn't that just fighting for talent?
above.
"Still misogynistic", that's my assessment.
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Finally, let's put plagiarism aside, let me prove it freely, Minasang
The spell returns. Did the author grow up with a meal from a hundred families? No wonder it is said to be a long story. (multi-picture warning)
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