The whole story ends in 207 as a big phase, so far I still care about sharon's line, which is what keeps me watching. There is a very interesting setting here, mind flows between different body copies, but what is more attractive is sharon's eyes, a wonderful mixture of sharpness and tenderness, probably only an oriental face can convey such an effect.
Because it can continue to be seen, other parts also gradually become interesting, mysticism, the subtle mental struggle between superstition and belief, every kind of talk almost get you, almost, and then insert it at the right time. In another talk, restore the balance of your mind back with a good sense of rhythm, it feels like to get high or get turned on by a very skillful lover.
Stories can be told very deep, or very deep, about human beings who are forever full of flaws, salvation and salvation, trust and doubt, joy and grief, these stories that can be told over and over again for thousands of years can naturally be deep, but all important. These end up being interesting because it's a show and nothing else. BSG has obviously done this. This show is really great, not because it is very deep, but because of the skill and precision of using these elements, but it is not very into, the most interesting sharon. This character seems to be able to start from being unremarkable and slowly become the core of the plot, that child, perhaps the starting point of the entire Cylon belief, as a brand new living civilization, independant, with own souls and one god.
--my wild guess..and may keep it while not much interested in seeing the next eps.
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