have no particular interest in killer movies. The best look is probably "This Killer Is Not Cold". The design of the killer character determines the movie The life and death of the killer. This time, the killer Tang told Ruth is not cold, and it can be said to be very talkative. When he meets the taxi driver of Jammeh, it is him who opens the conversation. This also reflects the loneliness of the killer. An off-the-shelf method. The dialogue between Tom and James in the taxi compartment takes up a lot of the film, and what attracts me the most in the whole film is the performance of the actors in the dialogue. Among them, I think the most exciting is the supporting role. Female lawyer Jada Pinkett Smith.
According to official information from the Hong Kong Film Network,
the yellow car body of the taxi has also been graded many times before it meets the director. It turns out that MGM said that the air in Los Angeles has high moisture at night, so the taxi body must also show this yellow deviation due to the air!
Mickman found that the traditional 35-meter. Li film could not capture the unique night of Los Angeles. In the end, he boldly adopted digital photography to express this peculiar and beautiful light source.
In order to capture the night of Los Angeles this time, he used a digital high definition camera to shoot even more. "At two or three o'clock in the middle of the night, the night sky of Los Angeles is very stylish, and the view is still very clear. You can see the outline of palm leaves under the moonlight."
The silence of the city night is obviously the important object of the film, but the above mentioned I feel a bit exaggerated.
In addition, I don’t think that Tang’s role is a villain. The script always emphasizes that he needs to perform tasks, but Tang acting as a killer and his vicissitudes of life are fresh enough. For Tang’s acting skills, I have always Quite reserved, I feel lack of change. This role can be regarded as a help, and it makes me feel that he has relaxed a little bit. This even reminds me of Andy Lau's transformation from the dark battle. Shi La)
Looking back at the movies that Tang has starred in in the past ten years, it can be said that none of them are inferior.
2003 "The Last Samurai" (The Last Samurai)
2002 "Minority Report"
2001 "Vanilla Sky"
2000 "Mission: Impossible II"
1999 "Eyes Wide Shut"
1996 "Mr. Sweetheart" ( Jerry Maguire
(Mission: Impossible ) 1996 (Mission: Impossible)
1994 (Interview with the Vampire)
1993 (The Firm)
Compared with Tang's acting skills, what is more worthy of admiration is his vision of the film. Since the beginning of "The Good Boy Is Crazy" in 1983, Tang Hongzu has been a stranger for this not-so-big idol actor for 20 years. (Hey, is it really the same as Andy Lau?)
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