7.5
It has been seventy-two years ago, if it is a false age, because it was released in September. It awakened my memories of Diao Yinan's "Fireworks in the Day" - sudden death as the cause, resurrection as the truth, the Ferris wheel scene is very classic, and the climax of being arrested out of trust. At the end of the climax, the film is not over, but prolongs a kind of emptiness, this film relies on that walk, the latter relies on dancing. It also reminds me of "The Party at South Station", the expressionism of "people in the environment", right-angle scene design and scheduling, especially when the suspect escapes, the shadow on the wall is like a picture of standing still, showing his poor road. So you see, this third person doesn't look like seventy-two years old at all, and he will only be seven years old if he dies. If he is really old, he will be like Liang Zhijun.
What kind of city is the most beautiful? A city that has died once. Vienna. The city's sewers, one of the best tourist destinations in the pop culture sense. What kind of person is the most beautiful? A person who has died once. Prettier than that? I didn't know I was dying. who? Harry Lime. This is a movie about Harry Rhyme, it may not be an Orson Welles movie, but this is a movie about Harry Rhyme. Excessive interpretation: what is a third party, someone other than Holly Martins and Anna Schmidt, that is, this Europe outside the United States and the Soviet Union. There's a canal tour called the "Der Dritte Man Tour" that takes tourists on a tour of all the exact spots where Harry Lime was being pursued by the police.
The film is also one of Martin Scorsese and Akira Kurosawa's favorite movies. Carol Reed, British director Carol Reed has made a great choice to do Viennese art in Vienna. As we all know, the origin of Expressionism is Germany and Austria, Dionysian art, based on feeling, not reason. However, according to the survey, the film was both the favorite of British audiences in 1949 and the worst of Austrian audiences in the same year. Can it be said that it succeeded in the director and failed in the screenwriter? To me, the movie is really interesting when Orson Welles comes along, whether on the Ferris wheel or the sewer; and at the critical moment, the old man who insists on selling balloons (real street people) is obviously more than contemporary literature. "How's James Joyce?" has more humor in the lecture, I hope to see more time for arguing literature, instead of rushing to mention the new work "The Third Man", like having to rush to the next place immediately . Seventy-two years ago, I wish it was all up to Carol Reed.
Running Shadow was Orson Welles' idea, but it was assistant director Guy Hamilton who filmed the scene; fingers sticking out of the tic-tac-toe bars in the sewer was Orson Welles' idea, but the scene was shot by It was director Carol Reed; Orson Welles improvised Harry Lime's stomach ailment and that famous time-bird line. Guys, Os Wilson has only been working on this film for a week and has only been there for five minutes. He refused to enter Vienna's sewers, believing that the smelly air would give him disease, and Carol Reed convinced him that the smell came from disinfectant water rather than garbage, but he didn't believe it. So at that so-called pivotal moment, his close-up came from a studio set in London, and the long shot came from one of his stand-ins. I know that the soundtrack has been good from the time I entered Vienna to the end of the funeral, and I know that the oblique camera is present in the interior scene in the front: it represents unease and threat, combined with the low angle of elevation, the light and shadow created by the lighting, and a kind of peeping Feeling, the enemy is dark and we are bright. The audiovisual language is effective, but what is actually happening is not. The first five minutes are so efficient that the investigation part sucks in comparison. The most regrettable thing is that the creepy plot engine of "The Third Man" didn't work well. "He could have been anyone", like "Memories of Murder", but he was no one from the beginning to the end, and no one ever entered him. of sights. The protagonist has no opinion, and neither does the movie, so we follow Martins to be curious, but never doubt. Over time, I don't know whether this detective line is boring or "classic".
Fact: After learning about the existence of the "third person", Martins only went downhill in the movie.
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