(ps: The comment was made three years ago, please move it over here)
Even if a rose is not called a rose, it still has its fragrance. The era background of R&J movies has become very postmodern, with beaches, giants, floral shirts, sports cars, pistols, rhythm, tone and music are not afraid of how warm, like Van Gogh's Sunflower series. All the flamboyant noise is magnified, but it makes Romeo more independent than the original, and the lines also preserve the old feelings of Shakespeare's Renaissance. The switching of warm and cold tones in the film is always pulling the audience's emotions, which easily reminds me of Wong Kar-wai's usual technique. Also, the soundtrack is a plus. From a closing syllable of the soundtrack, the next plot can be knocked out. This movie still sticks to the original light, except for the soundtrack, its shooting techniques, etc. have not surprised me. But the little plum is so pretty.
Probably everyone will not be satisfied with boiling frogs in warm water, and Xin is envious of R&J's vigorous love that has been passed down for centuries. But passionate love is never easy, it has endured too many surging emotions and external cold water. It's a pity at the end. All the coincidences made them meet and fall in love, and all the coincidences forced them to separate. Too many coincidences are enough to hurt people over and over again, but they are not enough to convince me, a BE party, to return to Shakespeare. 's original.
Hong Kong talented Cai Lan said that love is out of control, and love is love. That's right, the love that started at first swelled to the highest concentration, and the contact of souls determined their belonging. The death of both of them left a tragedy, and at the same time avoided another tragedy that was torn down by time in the future.
Even so, when it comes to R&J, there are two voices in everyone's mind: He said Juliet, Juliet. She said Romeo, Romeo.
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