Hollywood has this problem now, not showing you the content, but showing you the trailer. And it's getting too much.
For example, in Zack Snyder's Justice League, Darkseid watched Superman beat his younger brother, but he was at peace. This is very counter-intuitive, the original formula of the movie doesn't work, the plot is hard to guess, but the audience is also confused, where am I, what am I watching, what are they doing.
Then Zach Snyder did another great thing in this format, Army of the Living Dead. Oh these zombies will survive the rain, but I won't show you. You watch my next episode. In this episode, we just play and hang up.
And then Loki, it's all over again. This time, as a TV show, it's even too much. After the first and second episodes, the roughly explained TVA setting and Loki's mental preparation for the adventure, then I was dumbfounded. Loki and Loki transitioned layer by layer, from the end to the end, from the end to the end Take it back and go to the void. The scene is changing, the location is changing, but the plot remains the same, and there is no promotion compared to the second episode. Oh, about a terrifying love affair. In this process, Loki is not Loki, and Loki is not Loki. The two are just good partners on the road film. To put it nicely, it reminds me of "Love Before the Sunset", but to put it badly, it's a shame. Of course, to put it nicely, it seems that a lot of things have happened here, but in fact, the scene changes a lot, and nothing happens. Episode 6, just before entering the office, you have to go to the door, then to the lobby, then to the elevator, nothing happens along the way, and finally you have to both sit at the desk in the office, this is the founding ceremony of the country, you have to shoot Red carpet? Are you going to worship? Do you want to bathe and burn incense? What do you want me to see? Are you letting me play biochemical? In order to trigger the plot, it's still better to walk through the entire castle! You erased the beginning of the second episode to the first half of the sixth episode, and it has no effect on the plot.
Oh, putting a few rocks in your CG background is awesome, it means you have fought a war, putting a broken plane means Thanos has come, and that person, the entire TVA is a Loki fugitive, and there is only Loki in the void. Ji is alive, and then you sigh, even if it's an Easter egg? The easter egg of the player number one is interactive, so you can post a picture and count it as an easter egg? Is the Philadelphia experiment related to the main plot? Is it related to loki? Why are you an asgard god always giving the earth eggs. If you can't write it down, more than 2/3 of the waste dramas are just to make up time.
I'm amazed every episode, it's so awesome, it doesn't say anything, it's so awesome, it turns again.
And then finally came the effective plot of episode 6, and then it was Kang talking at the table for half an hour. This show is dead. Shakespeare wouldn't dare to do this!
Therefore, the effective plot of two and a half episodes, Loki has completed the role change in the setting of TVA in less than half an episode. The next plot has nothing to do with him, he is a transition link, three episodes are about, tva, doomsday, multiverse. What is the difference between Doomsday and Doomsday, what is the difference between Doomsday and TVA, what is the difference between Void and Doomsday, they are all passages, right? They are all channels to find Kang, and they all set up obstacles for the protagonist to fly over all at once, but they just look different. The figures are all bonsai, connecting pieces. It's really rare to have a drama. The drama has nothing to do with the hero and heroine. The hero and heroine are only responsible for running the scene, and then lead you to the final answer, but the main line of the story has nothing to do with them. No matter how the journey to the west is, he talks about the process of Tang Seng's master and apprentice learning scriptures. At most, it reflects the style of the gods. This drama is about how Kang manages the time line. Kang appeared in the last episode, really tm is too anti-routine, it's awesome
These three episodes are about the setting of a cosmology. Every role here is irrelevant. Kang wants to die, he has tens of millions of ways, he can let another bad Kang replace him, or he can use other characters, such as Rocket Raccoon, Iron Man, etc. As long as the key people with abnormal brains, anyone can trigger As for the timeline, theoretically there are countless him. To be honest, if the final villain is not loki, it is impossible to solve why it is loki, and why there is only loki!
However, everyone in this cosmology understands that he is paving the way for Marvel's follow-up. And it’s still hidden, and I don’t intend to explain the rules to you clearly. You watched for 4 hours. The valid information is just a little bit. You know about TVA, but TVA turns out to be fake. You just met Kang, and Kang’s may be a lie. Layers of dolls. Liars are so complicated now. The purpose of looping and traversing is to give you a 0. Why don't you crash!
Thinking back to Nolan's deadly magic, people will explain the rules clearly in 5 minutes, and then give you various stories to let you discover the love and hatred between the characters, because the rules are very clear, and every story in the story is clear. Turning over a layer gives people endless surprises. Contrast that with the 5-minute opening and the 4-hour preview, think for yourself what you want to watch!
For the foreseeable future, trailers will be the future of Hollywood. 10 years of preview, one minute feature film. A century of foreplay, at the end of the second. . . , The future of Hollywood belongs to fast men!
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