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Jayda 2022-03-17 09:01:04

I don't understand but I'm shocked

(The following text is free to generate) ah ah ah ah ah ah, ah, love, the heart has no request, many stories have a sad reason, this time my love can't wait for a long time, the road to walk can no longer Stay, a thousand reasons to be sad, a thousand reasons to be sad, in the end my love is slowly getting old in the story, a thousand reasons to be sad, a thousand reasons to be sad, finally my love is slowly in the story Obsolete, a thousand reasons to be sad, a thousand reasons to be sad, finally my love is slowly getting old in the story, a thousand reasons to be sad, a thousand reasons to be sad, and finally my love is slowly in the story Obsolete, a thousand reasons to be sad, a thousand reasons to be sad, finally my love is slowly getting old in the story, a thousand reasons to be sad, a thousand reasons to be sad, and finally my love is slowly in the story Obsolete, a thousand reasons to be sad, a thousand reasons to be sad, finally my love is slowly getting old in the story, a thousand reasons to be sad, a thousand reasons to be sad, and finally my love is slowly in the story Obsolete, a thousand reasons to be sad, a thousand reasons to be sad, finally my love is slowly getting old in the story, a thousand reasons to be sad, a thousand reasons to be sad, and finally my love is slowly in the story

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Extended Reading
  • Anne 2022-03-21 09:01:40

    The greatest significance of the 150-point full version is to reveal that the debut of Mechanical Maria is not a single act, but a Trinity montage of the wine pool, the meat forest, the court before the bed, and the Apocalypse of the Seven Deadly Sins. Communism started with machinery, was embraced by capitalists, and finally embraced labor. The inevitable spark of revolution is actually the same starting point and ending point. In God's eyes, this absurd cycle is not reincarnation, but human sin. A finishing touch.

  • Jason 2022-04-24 07:01:05

    Watching German expressionist films today is absurd and horrifying, but when I think of the film's early exploration in 1927, the director had such an amazing imagination, it's really a magical film. Apart from the exaggerated stage beauty and performance, the thinking about the mechanical life of the future industrial society and the loss of human nature really crosses the times. You can find the predecessors of many of today's film techniques in it, and the classics should be like this.

Metropolis quotes

  • Freder: To the new Tower of Babel - to my father - !

  • Joh Frederson: What were you doing in the machine halls, Freder?

    Freder: I wanted to look into the faces of the people whose little children are my brothers, my sisters...