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Jayda 2022-03-17 09:01:04

I don't understand but I'm shocked

(The following text is free to generate) ah ah ah ah ah ah, ah, love, the heart has no request, many stories have a sad reason, this time my love can't wait for a long time, the road to walk can no longer Stay, a thousand reasons to be sad, a thousand reasons to be sad, in the end my love is slowly getting old in the story, a thousand reasons to be sad, a thousand reasons to be sad, finally my love is slowly in the story Obsolete, a thousand reasons to be sad, a thousand reasons to be sad, finally my love is slowly getting old in the story, a thousand reasons to be sad, a thousand reasons to be sad, and finally my love is slowly in the story Obsolete, a thousand reasons to be sad, a thousand reasons to be sad, finally my love is slowly getting old in the story, a thousand reasons to be sad, a thousand reasons to be sad, and finally my love is slowly in the story Obsolete, a thousand reasons to be sad, a thousand reasons to be sad, finally my love is slowly getting old in the story, a thousand reasons to be sad, a thousand reasons to be sad, and finally my love is slowly in the story Obsolete, a thousand reasons to be sad, a thousand reasons to be sad, finally my love is slowly getting old in the story, a thousand reasons to be sad, a thousand reasons to be sad, and finally my love is slowly in the story

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Extended Reading
  • Alanna 2022-04-24 07:01:05

    Dungeon - Platonov "Foundation Pit"? Strictly speaking, the post-World War I movies did not completely replace the themes of the pre-World War I movies, but due to the introduction of German Expressionism, those modernist elements were treated gloomily and mysteriously, and films that showed "dehumanizing consequences" Themes replace the fascination with modernity, as in Fritz Lang's Metropolis (1926). Architect Le Corbusier's "Shining City" shows the "efficiency", "simple" and "order" of machine aesthetics. The city with distinct divisions, the highway between the towering skyscrapers, and the open ground floor green space all demonstrate the perfect and functionalist future life in Le Corbusier's mind. At this time, people's fantasies about future cities are no longer as wild as the steam era. This imagination has a little more fear and a little more caution.

  • Ike 2022-03-22 09:01:34

    [A] The 150-minute restored version of 2010 can't help but feel a sense of admiration for Frieze. What kind of soul could have produced such a cross-era classic in 1927! Myth, religion, production, class, technology and reason, these ultimate propositions covering all human existence are all included in a black and white silent film, even after nearly a century, the ideas conveyed by this film are still so impressive Admiration is the greatest swan song of silent film. If "2001: A Space Odyssey" and "Blade Runner" are classics that can be remembered in film history, then this "Metropolis" is a handed down work that can be included in the intangible cultural heritage of the United Nations.

Metropolis quotes

  • The Machine Man: [disguised as Maria] Leave the machines - ! Let them race to their death -! To the Heart Machine - !

  • Joh Frederson: [Talking on a video phone] Open the gates! Open the gates, I said!

    Grot - the Guardian of the Heart Machine: If the Heart Machine is destroyed the entire machine district will end up in ruins - !