Space constraints and ambitions for visual effects greatly weaken the narrative of the plot and the discovery of meaning. Although the gorgeous pictures and strange effects once again challenge the limits of technology, they also inevitably arbitrate the audience's imagination once again - if the plot is only a container for technology, it is understandable. But following the dizzying special effects, the story itself has become the template filling of all traditional novels: the protagonist of "The Son of Heaven" (Harry Potter, The Matrix...), the political conspiracy of the quagmire (Star Wars, The Lord of the Rings...), not to mention the background of black and white penetration, Hamlet-like choices, and the "last millisecond luck" of the main characters everywhere - let's be glad that the director gave the numb Cupid a vacation!
Maybe this is the product of the "script shortage" environment - changing the script "panic"! It stands to reason that Chris Weiz, who was also a writer and director six years ago ("About a boy"), should have shown good talent, but this time, it seems that we have to remind the new offline The next time I shoot a fantasy theme, I have to take weight as the threshold.
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