Akira Kurosawa is too nan...to accept this story very immersively.
But the techniques of strong central characterization can be learned.
Profile descriptions include descriptions of characters and events.
Characters are divided into group contrast, small group contrast, two people, and one person.
The attitude of the students towards the husband, the changes in the number of students, and the deportment of the students even reflect the character and noble quality of the teacher.
The small group uses a closer perspective, using several storylines such as "entering the house as a thief", "repairing the house" and "searching for the cat" to further magnify the true temperament of Mr.
There is very little description of the wife, which is also my dissatisfaction, especially the scene where the husband is sitting there holding a glass of wine, and the wife is constantly adding wine. The wife's humble attitude also reflects her husband's high esteem to some extent.
The whole film uses a lot of side descriptions, and also uses various means to highlight the protagonist in the composition and lens. Including a group of dark backs of heads in the group portrait, it is very difficult to not pay attention to the protagonist in a surrounding composition. Even a lot of profile shots are used in the editing, but there are relatively few direct shots of the protagonist, all of which are Kurosawa Akira's expression techniques.
The last paragraph, which is close to the haystack scene of "Dream", has a very personal style of Akira Kurosawa's late period, and uses surrealism to sublimate the theme.
Overall, I don't like the story very much, and it's still hard to empathize with.
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