First of all, I am very sure of the director's intentions. The film is highly completed. Pulling the hips should be a matter of cost.
The first 30 minutes of the movie before the polar night was shot very well, not to mention the despairing atmosphere that some people pretend to say, just the feeling and foreshadowing are in place, and the idea of preparing for the vampire plot to invade is very good
Then the setting of the vampire itself is the insufficiency of this film. It is strictly different from the setting of the same type of vampire films, and the image of the actors is not in place (sometimes it really needs a little face value). Yingxiang's good demeanor is the small character who destroys the communication equipment at the beginning and the bald head who has some scenes in the middle, but the vampire boss is not good at all...
The second is the picture of vampires killing people by blood-sucking... It's completely indifferent, (anyhow, the concept of vampires in the 21st century will keep pace with the times, is it good to bring a gun?) I personally suggest that the vampire scene be changed to a cannibal scene, which is more cruel and thrilling. degree to meet the standard
After that, the protagonist's squad (surely low-cost films can only play squads) was infected with mutations... The standard plot, but it didn't dig well at all, and a trick was played twice, and it was revealed that the plot was out of stock... ...personally suggest interspersed with this plot connection
If I shoot the last shot, the hero is burned, the heroine hugs tightly, the camera zooms closer to the heroine's profile to give a close-up, the wind lifts her bangs, and the ashes are scattered in the heroine's arms
Then there is the issue of plot tearing (or the cost issue). Personally, I think there are many plots that need to be connected: encounter an invasion, the male protagonist to attract attention, vampires keep humans in captivity and eat a few a day, the protagonist team rescues humans, encounters mutiny ( The newly created main supporting role), the internal plot of the vampire about accepting members to deal with captives (too many to support), the male protagonist has no choice but to execute his infected teammates, the male protagonist is in danger because of his pig teammates, etc. These are connected together, and finally the male protagonist makes a difference on his own. The outcome of the change battle remains the same, but major changes should be made.
Fighting with child vampires is also reserved, but this child obviously can't play a battle scene... The timing of the battle in the play is also too deliberate, and it is difficult to arouse the emotions of the audience. For a good time, like the scene where the old man ran away to find his son and then a vampire came in the house, I thought there should be an encounter. When the time came back, the protagonist quickly solved the vampire without making any noise (for example, the vampire just wanted to scream and the heroine rushed up to hit his throat, and then the three fought hard together)...
Another example is that child... It should be a little confused and then turned into a madness. The protagonist group was relentless for a while, but he was embarrassed to fight. Finally, the male protagonist's younger brother seized the opportunity (instead of being urged by everyone) to chop the axe three times in a row. On the head of the little girl (the first picture shows the moment of slashing at the little girl, the second picture shows the male protagonist's younger brother's ferocious and painful face, the third picture shows an axe embedded in the wall, and the arm-like shadow swept over and skipped frames to give With the feeling of slashing, the three frames are finished in three seconds, and the male protagonist's younger brother takes a step back and sits down on the ground)...
...... (stayed up all night again, annoying, not writing)
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