Reprinted an old comment----Similar theme to Ghost in the Shell Solid State Society

Estefania 2022-03-19 09:01:03

2008-10-15 11:42:00 Review 8.0 released by Wd__

The themes of the two films are similar, but the way they are told is very different.

Missing people tell the story of saving the world's children. More emotionally. Attacking the shell is to redistribute groups of children through the network, surveillance system, memory transformation system, etc. in the context of modern science fiction. The emotional component is not as strong as the former, but it is possible to think about this social problem at the level of social structure, and it will give people a stronger shock after deep thinking.

The missing person is a choice between a family of a single parent drug-addicted mother and a family of abducted children by a retired police officer, and the shell is a choice between a child abusive family and the child re-education system. The protagonists of the two films chose the former by coincidence. A large part of the reason for the choice is that doing so is in line with the laws at the time. The law should represent the thoughts of most people at that time, and people's thoughts will change with the changes of the times, so the law is also constantly changing. What is legal now may become illegal in the future, so what's the point of sticking to the law too much?

Aside from the either-or choices offered by the film, is there a better solution to the problem of abused children or children from troubled families? I think it is quite difficult, if not impossible, to solve the problem without abandoning the social structure of the family. The term family has taken on too many responsibilities and rights, and should gradually disappear with the development of society.

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Extended Reading
  • Lon 2022-03-23 09:01:20

    This movie is uncomfortable to cut?! That woman's vase cut? The poster is P's better

  • Christophe 2022-04-23 07:01:20

    Suspense rhythm is okay

Gone Baby Gone quotes

  • Officer in Procession: [approaching Patrick and shaking his hand] Mr. Kenzie. Nice fucking job on Corwin Earle.

  • Patrick Kenzie: I'm calling state police in five minutes. They'll be here in ten.

    Capt. Jack Doyle: Thought you would've done that by now. You know why you haven't? Because you think this might be an irreparable mistake. Because deep inside you, you know it doesn't matter what the rules say. When the lights go out, and you ask yourself "is she better off here or better off there", you know the answer. And you always will. You... you could do a right thing here. A good thing. Men live their whole lives without getting this chance. You walk away from it, you may not regret it when you get home. You may not regret it for a year, but when you get to where I am, I promise you, you will. I'll be dead, you'll be old. But she... she'll be dragging around a couple of tattered, damaged children of her own, and you'll be the one who has to tell them you're sorry.

    Patrick Kenzie: You know what? Maybe that'll happen. And if it does, I'll tell them I'm sorry and I'll live with it. But what's never gonna happen and what I'm not gonna do is have to apologize to a grown woman who comes to me and says: "I was kidnapped when I was a little girl, and my aunt hired you to find me. And you did, you found me with some strange family. But you broke your promise and you left me there. Why? Why didn't you bring me home? Because all the snacks and the outfits and the family trips don't matter. They stole me. It wasn't my family and you knew about it and you knew better and you did nothing". And maybe that grown woman will forgive me, but I'll never forgive myself.

    Capt. Jack Doyle: I did what I did for the sake of the child. All right. For me, too. But now, I'm asking you for the sake of the child. I'm begging you. You think about it.