Just watched this show to get rid of boredom. Overall it doesn't appeal to me. But the whole play, and the background of its comics, are a bit interesting. Write it specifically.
Looking at the most direct sense of the picture, I feel that this is a work from the 1950s and 1960s. I checked later and found that the manga was actually created after 2013. It's just a retro behavior to make such a picture. At the beginning of the play, I thought that the "modern" in the play was in the 1990s at most. I saw a mobile phone or something, but I thought it was a mistake on the props. When discussing the current situation, it is still considered to be the crisis of the Vietnam War. It was not until the Vietnam War was mentioned that I realized that it was indeed the twenty-first century.
In the end, the part where the six-member group gained the ability was really too middle school. When I got the ability, I even asked a guest to give a long speech, which was the same as the Oscar ceremony. Neither gods nor aliens should be so boring. Doing this, on the other hand, was a huge failure for Walter's blackmailing. After a person has experienced such an event similar to a miracle, it is impossible for a person to not be impacted by their values, and it will remain the same all the time. How can they pass this test? This is a structural contradiction that should be emphasized. But it didn't unfold. This narrative is quite a failure in my opinion.
The whole plot is trying to make such a grand scene. To put it bluntly, it is still the cauldron of the 2008 crisis. The author of the comics estimates that not only daily key politics, but also countless popular books on politics and economics. In the final analysis, "Is America no longer great?" The language in the play is the headline that reported the news of Dad going downstairs, the death of capitalism. Of course, the Dow is still at an all-time high today. It looks like it should be okay for a while. This black and white is far from being as real as the Great Depression.
After the Great Depression, the United States actually made blood back and forth by transferring a lot of production capacity to the Soviet Union. On the contrary, Germany, which was directly pumped by the United States, led to the collapse of the republican government, which was an important background before World War II. It's just that after World War II, the West felt that the Soviet Union was too powerful and reunited to check and balance the Soviet Union. The setting in the play is obviously to have superpowers to help the United States get out of the Great Depression. Then it is logically obvious that superpowers can help the United States get through the crisis again. In my opinion, the superpowers in the comics can solve some short-term social order. But the question is, can the problem of security really be solved by violence? Does poverty really cause security problems? The two are actually not related. The problem in the United States now is actually a structural problem, a crisis of values, and the world is inexplicably looking for value recognition. It is far from a simple issue of public security. So this setting is a bit weak in my opinion.
The most obvious difference in this drama is the main line of contradictions, which takes place within the family. If it is a general assembly line production of cool dramas, the most in this drama is The Incredibles (often translated as "The Incredibles"). The production is better, and it is not a problem to get a high imdb score. However, this drama is trying to answer social problems beyond its own ability to express, and it is very explicit, which can easily cause a war of words. It's definitely not that easy to get more praise.
To sum up briefly, the audience of this drama is actually the generation that grew up after the crisis, and the education received is the group that agrees with the values of the end of Fukuyama's history. The whole setting is actually an attempt to reconstruct the values. If you want me to say, this kind of work, in eight or nine, is a failure.
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