The prodigal sons are all suave, free and uninhibited, romantic and affectionate, and some are young and rich, and they are often invincible on the battlefield of love - at least in the movies. After entering the modern society, this phenomenon changed slightly. The calmness and pragmatism of modern people made the prodigal sons encounter unprecedented embarrassment. Under such a situation, "Fangfang Tulip" is like such a reverse movie. You see that Adriana knows that the person she loves doesn't love her, and she is rushing to sacrifice herself to save her lover. She obviously has not been enlightened by feminism; there are too many coincidences in the plot, handsome guys will never Injured will not fail, will not die, will not even suffer losses. The director unabashedly uses the name of the god of fate to be eccentric; he actually uses a happy life and five children to conclude the love between the two, please, that was the era of Sleeping Beauty Aesthetic taste, whether the prodigal son is suitable for marriage is not considered by the director? The characters in the play have no modern consciousness at all. This ambitious film, which aims to create a new image of a French entertainment blockbuster, although it incorporates many popular elements such as beautiful scenery, gorgeous costumes, humorous martial arts, classic stories, and big-name actors, is still facing the risk of becoming a filmmaker. The perils of "old" movies.
For mature and rational modern women, they no longer believe in the myth of the prodigal son, and whether they will fall in love with Fangfang, this is not a problem at all. What needs to be considered is how to arrange different positions for different roles: Fangfang is good to be a lover, as for her husband, it is better to find someone who loves me. Whether it's a real prodigal son or a fake lover, it's probably going to take a while when you encounter such a problem.
Taking a step back, although there are moviegoers who believe in the myth of the prodigal son, there is always something new to attract their attention. In his own movie, Fangfang is a lovely person who wants the wind to win the wind and the rain to win the moon, but if he stands in the forest of prodigal sons in the world, he will be far behind. In ancient times there was Leslie Cheung in "Evil in the East", today there is DiCaprio in "Titanic", there is Chow Yun-fat in "A Lang's Story", and there is Brad in "Burning Years". • Pete, Vincent Perret, what makes it stand out?
You must know that you are not alone in the prodigal son of the world. For ordinary Chinese audiences, they probably won't praise this field for their love for French movies and hatred for Hollywood.
View more about Fanfan reviews
