What impressed me the most was that Mew and Tong were lying on the green bed and slowly told about their loneliness, "When I was young, I was lonely because I didn't have friends; when I grew up, I was more lonely than having no friends. I sometimes wonder if I really love you. A person, can we accept this kind of thing? If one day, he dies, parting is a part of life. We all know, can we really let go? We really love a person, not afraid Has he left me? Also, we have to accept that no matter where we are, the person we love is no longer with us; so, it's loneliness." That habitually calm and mature tone made me feel pity for a while. Two quiet teenagers. Teenage years, say, I'm lonely. Lonely for five years.
So when Mew met Tong again, it was like going back to the past, when Mama was still there and Tong's sister didn't leave. They know each other's past well and need no explanation. Existence is comfort. So Mew would say loneliness to him, and Tong could understand that he was not lonely when he gently hugged his head.
Tong's sister was lost in the forest, and his father kept berating himself: If only I wouldn't let her go. Since then, she has been slumped and slumped, using alcohol to relieve her worries, and she can't get out of the shadow of a bereaved girl. The mother has a strong personality, no one sees her tears, she hides in her daughter's room and hugs her daughter's pillow tightly and weeps sadly, then wipes her tears and walks out to face her husband and son, as if nothing had happened, only her I know how hard it is to support this family.
The youth of the two children lacked the care of their families. No one had ever penetrated into their hearts and asked them what they thought. They knew loneliness early on. Therefore, they comforted each other, filled each other's vacancies, and had unspeakable feelings. I don't want to find out if Mew is really gay, and Tong himself doesn't know himself, he cried violently in front of Ying Ying, "I have been asking myself if I am", and Ying hugged him and said, "I will slowly I know." They are all teenagers, still shy and secretly in love, but they bear a lot of pain silently. Their love is very inclusive, and they are not even like Tong's mother who made an urgent judgment, not allowing them to continue. contact.
Christmas Eve, another Christmas Eve, all conflicts reached a climax, Tong's mother finally let go of her hands and let Tong decide her own life. The father looked at this woman who could not bear to say a word, and finally recognized the reality: his daughter would not come back, and he still had family to love and care for. Ying pushed Tong towards Mew, watching her beloved sing and show off for another person, she couldn't help crying while facing the narrow night sky. And Tong made the decision for himself, "We still don't want to be together. But that doesn't mean that I don't love you." Mew took the gift that Tong gave him, and the puppet finally got a nose and was whole, but he still cried, he said thank you to the puppet. That's it, maybe it's not love for you, you love me like you love your friends and your family. But you know I love you.
Many details in the film touched me, but I didn't cry, at least Mew confessed to Tong, he stood on the stage and sang for him, his eyes cheering, "Maybe you have heard countless love songs, but this one. It's a love song that only belongs to you." And that light kiss, the film's always clean and pure shots express everyone's feelings in a meticulous and tactful way, just like a teenager's love, hazy and beautiful. This ending is actually the best.
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