Toni ー Takiya

Chaim 2022-03-18 09:01:09

Ichikawa Jun's トニー欝谷# is definitely a godly adaptation. More than 95% of the story content is completely faithful to Haruki Murakami's original work, and the narration and dialogue are basically copied from the original work. (Adapted to match the original does not = movie quality)

Ichikawa's adaptation this time is not like some directors, adding his own understanding and perspective of life or the world into the film. How Murakami told the story in words, Ichikawa told it through the lens. Film adaptations of this type are really rare. The best part is that not only the content of the story, but also the way of narration is consistent with the original work. The camera panning from left to right from beginning to end is like flipping a book, which is truly "reading for you with the lens". And what's in the story? As Murakami said, it is up to the reader to understand.

The story begins with Toni Takiya, where battleships are built with sand, and ends with the cactus that can no longer be irrigated.

This is a story about loneliness, a story about a person.

Toni ー Takiya and his loneliness.

Another: Ryuichi Sakamoto's music is still wonderful, perfectly restoring the rhythm and mood of the original.

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Extended Reading
  • Clovis 2022-03-22 09:02:52

    Highly condensing the "wabi-sabi" and "sorrows of things" in Japanese aesthetics, Tony Takiya's life unfolds like a scroll in a parallel-moving lens, with nothing but loneliness and loneliness. Most of the shots have extremely subtle, tasteful compositions, creating a world with no sea horizon and a strong sense of space above and below. What is more questionable is that in the process of adapting Haruki Murakami, Jun Ichikawa recited a large number of declarative descriptions (including the psychological activities of the characters) through narration. Although he faithfully restored the text and situation of the novel, he guaranteed the emotional atmosphere and the author's original intention. It is absolutely consistent, but it also loses the meaning of the film as a "film" to some extent (is there a better way to adapt this kind of literature to the film?). Ryuichi Sakamoto's soundtrack can be enjoyed as a pure musical work that is not the original soundtrack. It has a strong cool, independent, and isolated texture, which adds a lot to the movie.

  • Jakayla 2022-03-26 09:01:13

    Nishijima Xiujun is just a narration, and I always feel that the male protagonist in it has a bit of Murakami's charm.

Tony Takitani quotes

  • Tony Takitani, Shozaburo Takitani: She was like a bird taking flight for a distant land...

  • Narrator: Yet, what now confronted him, their vital roots severed, seemed a flock of shadows, withering with each moment. As Tony...

    Tony Takitani, Shozaburo Takitani: Watched this happen, I gradually began to suffocate.