Note that the following content involves spoilers. Unless a character in the film is electrocuted to the point of rolling his eyes, the memory of being spoiled is difficult to erase.
In-depth analysis of "Godzilla vs. King Kong": This movie alludes to the game between two superpowers. Godzilla represents the existing global hegemon, making waves everywhere, but all human beings must support him, or you will be expelled from the ball; Mechanical Godzilla represents an emerging power, believing that man will conquer the sky, trying to rely on a powerful manufacturing challenge Big Brother dominance. Apex, the company that makes Mechagodzilla, is headquartered on the territory of the emerging power, and that's a big tip for the screenwriters. King Kong represents a third-party force other than the two major countries. The same flesh and blood in the movie corresponds to the common ideology between China and the country in reality. The former commander of the old hegemony acted recklessly, pursued a strategy of giving priority to a certain country, offended all allies, and was obviously unable to deal with the new challenger alone. The newly appointed commander decided to reunite allies and jointly encircle and suppress the emerging powers, which corresponds to the Godzilla and King Kong teaming up to tear mechanical Godzilla in the film. The theme conveyed by the film is: Don't try to challenge the old order. Living under the arrogance of the old overlord and maintaining the status quo is the only way for mankind to achieve peace. Any effort to change the status quo is provocative and should be eliminated.
...sorry, I can't make it up. The above is pure nonsense. if you serious you lose.
The opening paragraph is mainly to express my love for conspiracy theories and conspiracy theorists. This kind of love is like Yang Li's love for men. He thinks that they are not only beautiful, but also very mysterious. You can never guess what is going on in his little head.
Conspiracy theorists are responsible for the atmosphere of human society, using their unique brain circuits to surprise and delight the onlookers. However, their role is limited to this, and they must not be taken seriously, otherwise the people who originally came to watch the joke will eventually become part of the joke. And as the joke gets more and more people and becomes more and more bloated, its hilarity diminishes, and what remains is sheer absurdity that accumulates to a destructive level.
In fact, I am a conspiracy theory lover myself, and I often use this over-interpretation to amuse myself. But when I am finished, I am finished. I will never feel that my interpretation is a great discovery, and I will never put it on the line for it.
The casting of Millie Bobby Brown in the film is very interesting. Of course, she also had her in the last "Godzilla 2". I can't remember exactly what she did, but I remember it as a serious positive role. The role is similar to the deaf little girl Jia in this film. Millie Bobby Brown is best known for her role as Eleven in Stranger Things. That drama was built on the conspiracy theory that "the U.S. government secretly conducts evil experiments to summon monsters from different dimensions to come to the world, causing disasters and trying to cover up the truth". The protagonists, including Little Eleven, are trying to A little hero who exposes the conspiracy and restores the truth. This film seems to deliberately consume and deconstruct the image of Xiao Eleven, and the conspiracy theory trio led by her are three living treasures. Especially the little fat man who boasted that he was a hacker, but only learned basic computer operations at the summer camp. He once thought that the black uncle bought a lot of bleach for drinking, which is undoubtedly another flogging of Trump's anti-epidemic methods. By the way, he satirized that those Sichuan fans who believed in conspiracy theories were all at the level of the fat man. .
Although there is a considerable degree of banter for the conspiracy theory otaku and otaku, the film still did not let them be black to the end, and reluctantly did some work for them during the final battle, so that they could defeat the mechanical Godzilla. Make a small contribution. It's just that the trick of pouring wine seems to be learned from Wu Jing in "The Wandering Earth", and it is even more stunned and tiger than Wu Jing. I want to say that since the trick of destroying the computer with alcohol is left by others, it is better to find another way. Anyway, as long as it's liquid, it doesn't have to be alcohol, but spit is fine. They should let the conspiracy theory trio lead a grass-mud horse from anywhere before, and frantically output to Mecha Godzilla's console at the critical moment, and finally prove that the grass-mud horse is the strongest species on earth.
When the first "Godzilla" was released in 2014, I sighed that even monsters had the American dream, and they had to go to America to fight. Now they may be afraid that they will get sick if they go to the United States to fight again, so they run to China instead. As a result, Hong Kong citizens were submerged in water and at a loss because of Colonel Sanders Xie Junhao's nuclear bomb at the end of last year, and just a few months later, they relived their old dreams because of Godzilla's attack.
Although the title of the film puts Godzilla's name in the front, it is obvious that King Kong's role in the story is more interesting. Not only is he rich in emotions, but he can also use sign language, which instantly makes people feel that the Planet of the Apes is about to rise again. By contrast, Godzilla is an emotionless Battle machine. The battle of these big monsters is literally head-breaking. When hitting, you always want to control the opponent's head, and then grab the upper and lower teeth with both hands and break out. The first Muto was broken like this.
The monster film was first a kind of disaster film, and the monster represented something terrifying in reality. Godzilla first represented human's fear of nuclear energy; King Kong was originally a racist symbol, representing the fear of white people for black people with strong physique. But over time, these ugly big men who were supposed to carry the audience's fear and disgust have gradually accumulated a strong popularity and turned from villains into protagonists. Behind this change is projected male needs for objectification of males.
As common sense, we all know that AV is the product of male objectification of women; Danmei and idol boy groups are the product of female objectification of men. Subconsciously, we feel that the two genders with biological differences and opposing political demands will only objectify each other. In fact, within the same gender, there is still a desire to objectify each other. AV is the beauty of men. The most popular AV actresses are often recognized beauties, and they are the projection objects of male sexual desire. But in addition to sexual desire, men also have a desire to destroy. Strength and beauty are two things that make men crazy. According to the logic of men, the ultimate pursuit of beauty is to play and possess, so AV was born. The ultimate pursuit of power is to fight and destroy, which gave birth to special effects blockbusters with monsters as the protagonists.
Godzilla and King Kong are alienated men whose fighting ability has been magnified to the extreme and all other qualities have been deprived of them specifically to vent their desire for destruction. People today love to watch monsters fight each other on the big screen, just like Leonardo in Django Unchained loves to watch black people wrestle with bloody brutality. For the plantation owner played by Leonardo in that movie, those black slaves who wrestled and never died have long ceased to be human beings, but battle dolls purely for viewing. They are two dark 's object. Of course, today's civilized society will no longer allow such cruel activities to exist, so people use technical means to create visual spectacles on the big screen, and replace black slaves with inhuman monsters, reducing people's objectification of the same kind and also for the same kind. Restrained and gloating guilt.
Thanks to these film and television works, we human beings, the semi-finished intelligent life that has not completely got rid of animal nature, can release their desires from time to time with the help of images in a way that does not affect others, and after the release, it will be short or long. The sages are courteous and live in harmony with others of their kind during their time.
The last article was about "Zach Snyder's version of Justice League". When the movie was launched, many netizens felt that Warner was eating two fish. In fact, Ah Hua and Ana are more than one fish and two eats. In the monster movie that can't compete with the "Justice League", there is also the residual value of the guide.
Shiroyasha Sakata Ginshi didn't drive the Gundam, which was more in tune with his nickname, but instead drove Mecha Godzilla. And the origin of this mechanical Godzilla is not very correct. King Ghidorah, like General Zod, a fellow Superman, donated his body for free. King Kong's axe can probably match Batman's kryptonite spear. In the end, the reason why he was willing to be the monkey invited to rescue the soldiers despite his past suspicions may be because the little girl gestured to him in sign language: Godzilla is also called Masha.
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