In Rohmer's films, there are few tangled feelings, and sometimes they are usually male to female. Women always express their feelings and needs clearly and maintain clear boundaries. The highlight of the whole film is that Francois starts from meeting Lucy on the bus. Lucy found that Francois had been watching two people, and the two got off at the same stop as Lucy, so Francois had to get off the bus and chatted up with Lucy naturally. Lucy makes me feel a lot like the Okada Moliko who often appears in Ozu movies, she's very eccentric. She only likes to study in noisy places, find ways to take pictures of Christine and her lover, force a calm chat as they pass by, and analyze François's situation in a café. She made Francois's jokes, making the latter embarrassed, not wanting to admit that Lucy was right but had to. However, Lucy's feelings for herself did not follow the equivalence relationship to François. Although very unwilling, François still forgave Anna and kept his promise to tell Lucy the result of their relationship, but found Lucy and her boyfriend when he sent a letter. Francois started a new round of follow-up. The ending of "The Temptation of Paris" was very fitting and humorous, but he didn't like the heroine very much. In the last third, Francois and Anna quarreled and felt a little bored.
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