I only saw the interview between Owen Wilson and Hudson on Weibo in the morning, and I saw the movie he wrote in the afternoon. Wes Anderson's style is too strong. It was originally a randomly selected movie. After watching a few scenes, I thought: Is it Wes Anderson? Check it out, it's him. This time it is a widescreen + a lot of wide-angle, and the colors are really nice. This time, I finally got Gwen, and the dressing style, makeup, and speech Margo's character are clearly interpreted. A female screenwriter who is calm, sharp, has a heart like black iron, and occasionally has a girly side. It might be her candy-colored striped inners and bobby pins that played the role, and she always wore that brown fur coat. In a group portrait movie, the introduction at the beginning is very important, and I didn't understand the relationship between the characters until halfway through the movie. It is still a bit too fast to use narration and pictures to introduce characters at the beginning. It may only be a matter of narration, which is compact and has a large amount of information and is not easy to absorb. However, because the characters, especially the clothing and makeup, are distinct, they can be recognized later. On the contrary, the role of father loyal is not easy to identify. Thinking of the Grand Budapest Hotel, it is also an old man with an age and a story who maintained a fiery heart and influenced the next generation, even if he said that "a tragic death saved the family's collapse". The eldest son showing up in the garbage truck, checking the dog, watching Dad die still touches me. And there are so many moving stories here, everyone has a story and the story is strong. Points worth learning. I also like those familiar soundtracks, the common memory of this generation. All in all good.
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