The first shot stretches from the frozen window to the people watching inside the window. The whole movie is slower than the later stage, very tarr, but a little cumbersome. The male and female protagonists are very similar to Mrs. Smit and Fortaki in Tango, but the environment and predicament they are in have changed, and their gaze on the individual is stronger. The dialogue is as plentiful as a Tarr color movie. The cable car that oscillates back and forth is like a puppet that is hung on the track by the thin thread of fate. The person who looks at the cable car is a person who has been desperate for years and crazily collapsed in the next moment, but at this moment is powerless, the music is ringing in his ears, like me I also joined the dance party in the sticky rainy season, often staring blankly, just like the camera in front of me wandering and staring at every posture of sitting and watching me, the posture of wearing shoes, the posture of looking at people, the dog in its original The attitude of fighting against the roar, how can people bear it. I remembered that I used to go out, a dog I knew very well downstairs ran after me like crazy that day, roaring, as if it was about to pounce, I ran away, but returned to the original place with pity, and it came back again. The roar came, and finally I roared back with a louder voice. It was a voice that shocked even myself. Finally, the dog whimpered back, until I looked at the passers-by who passed by not far away and looked at me in shock, I realized When he is human, he returns to himself under the body. Thinking about it is like "he's coming back tomorrow" and I'm back in this moment.
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