I'll just say a bug, you have to take it!

Kole 2022-04-24 07:01:04

A successful re-creation of an old IP, not scary, but full of tension. Elisabeth Moss is sorry for her acting skills if she doesn't get an actress. She was tortured too hard. Revonne didn't design it to be invisible this time. Man, he is more like a dark iron man. The small reversal at the end is also very exciting. It is very exciting. It is a real surprise for the beginning of the year. Although I hate this invisible design, I have to say that he made classic monsters. The image is rejuvenated again, amazing.

Jeffry 2022-03-22 09:01:29

In the first few minutes, Elisabeth Moss's acting skills completely convinced me - "(I haven't) seen" the source of memory, emotion, and pain, but it has already appeared in every inch of her eyes, breathing and trembling lines. In the beginning, it was like the final climax of a dark story. But her ordeals were endless. It is suitable for the director's previous work "Human Upgrade" (Upgrade). It just happens that the two sides of one body sublime each other. Two kinds of "technological original sins" are approaching and reflecting: one is the self-confidence (Grandiose) that descends from technology, and the other is paranoid (Paranoid) that comes from technology. The concept of "control" has mutually achieved rationality and sensibility in the two films: the systematization of control is so precise and pervasive, but don't forget that the humanization of control can permeate and linger so deeply...