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Wilhelm, alone, climbed the snow-capped Mount Tskushubis. It was cold, quiet, and lonely. When he climbed to a high place and looked down at the bottom, he didn't feel detached, but returned to the original point. The feeling of loneliness, "This is also the original life of a person, standing on the mountain waiting, and there is no blizzard - when you are alone, you will feel lonely. It seems that it is just me alone. There is no meaning in the wrong way." Climbing the mountain Wilhelm seeks the stimulation of the blizzard and feels the violence of nature, and from this kind of stimulation and violence, he clearly wants to get the impulse to write, thus becoming a "writer" - a definition of identity Need to break free from the rut of everyday life, but in a one-man world without blizzards and loneliness, nothing happens and nothing changes.
Named as "meaningless astray", Wilhelm finally found that his deliberate writing path was a meaningless existence, and even returned to a person's origin, when he found that standing at the end of the world is the original For the "writer", this journey of finding the way is a failure, but this failed "wrong move" is not meaningless. The meaning of meaninglessness, like writing itself, does not lie in writing down memories related to the past, confusion related to the present, and aphasia related to the future, but in the writing itself—it lies in the fact that there is no blizzard in the library The Xiubis Mountain itself is based on the experience of returning to the original life from the starting point, and the discovery of the "meaningless deviation".
Adapted from Goethe's novel "The Age of Study of Wilhelm Meister", the inscription is: "How do we separate? In the vast sea of people." And this sentence appeared when Wilhelm made a person to go to the The trip ended in a scattered way at the end of Tskushoubis, with the fat poet Veron running alone towards the train station, about to find new poetry; Heim had driven him away. On the boat, Wilhelm tried to push him down the river. Blohirum, struggling, heard Wilhelm say, "The water was clear in the past, too." Then he began to have a nosebleed. , the once-a-year nosebleed is what Bloharum named "the natal year of liquid", so Wilhelm, who saw his nosebleed, let go, and Bloharum took the opportunity to leave; and the rest The woman Talyssa and the girl Minnie followed him first, but when Wilhelm said that he wanted to climb the Tskushubis Mountain, Talyssa asked, "Can't you keep it?" They separated from Wilhelm on the street, and this separation answered the inscription: "How do we separate? In the vast sea of people." -Separation is separation, and the vast sea of people will eventually choose one person to move forward, one When one reaches the top, one finds a "meaningless ascent".
Choosing to walk in the opposite direction of the vast sea of people is the end of Wilhelm's journey. He seems to have returned to the state of "doing his own things by himself, and others can't see it", and from the starting point to the end point, in the vast People also parted ways with "them", is it the beginning of a new writing? Did you really become a writer? This is Wilhelm's growth in a sense. When he fell into loneliness at the beginning, he wanted to use writing to escape reality. This is another kind of writing. Writing, behind closed doors, is a kind of imagination and fiction: he sees the helicopter flying outside, hears the music on the record, sees and hears, as if it happened outside a person's world, is a kind of isolated existence, even he He was also silent, "I haven't said anything for two days, and it seems that I don't have a tongue." It was this feeling of not being able to exist that made Wilhelm choose the other extreme. When the glass was broken, blood came out, and he licked the blood slowly, as if to find inspiration from the smell of blood, but this kind of writing itself was built on the nihilism of his own injury, as his mother said to him As he said: "To be a writer, it is best not to be melancholy and uneasy." There is no doubt that self-mutilating writing is a failure. Here, he embarks on a long journey and begins a real experience of reality.
This trip was very meaningful. On the one hand, Wilhelm could not find a sense of existence in his own fictional world. Of course, if he wanted to become a writer, he just imagined, "On the day of departure, I saw the streets of my hometown, and I didn't feel anything. "It seemed to be numb; on the other hand, it was the mother's idea to start this trip. She prepared two books for Wilhelm, a book about love and life, and also bought a ticket for Wilhelm. Hug him before the trip, his mother said, "You can decide after reading the book." The book is a kind of knowledge, a guide to reality, the ticket represents a kind of real life, and the mother's preparation for his trip It proves that Wilhelm used to live in nothingness, and he bid farewell to nothingness and began to travel. Where did he go and where he was going? Even his mother did not know, and Wilhelm almost started a purposeless journey. But when he got on the train, when he opened the book, the road to knowing reality unfolded before him.
The first chapter of the book he opened was about a life related to "father", a world where "the sound of the waterwheel echoed in my ears", where there were birds chirping, slowly melting snow, everything It seems to be beautiful, but, "Father has gone out." The father who has gone out actually indicates that this open world is looking for a father. What is a father? It's memory, it's history - this road of travel is about Wilhelm's way of entering history, facing reality and heading for the future, and Wilhelm's travel, search and even discovery of "meaningless deviations" represent the German youth. Growing up - When the post-war generation looked for meaning in life and began to write about the present and future of Germany, they were actually faced with the situation of "father is out", just like Wim Wenders was born in 1945, the war was very important to them. It is a blank, of course, that the father in history is absent, so in the journey to open the first chapter, Wilhelm represents the beginning of the post-war generation to examine history.
On this trip, Wilhelm meets Bloherum, an old man like his "father", and the owner of the house who has been misidentified in painful loneliness, all of whom represent a generation that has lived through war: in On the train, Blohirum told Wilhelm that the conductor knew him, and he took the train without a ticket; when he went out for a walk together from the house later, Blohirum made it clear that the conductor It is his adjutant, which implies that he is a veteran; and he also mentions a Jew who can sing, "He helped me, I killed him." From this, it can be seen that the old man may have been a murderer in the past. When the war ended, he undoubtedly carried the sins of history, so in front of Wilhelm, he regarded himself as a wandering singer, along with the young girl Minnie, avoiding people's eyes, and also In order to avoid history - when Wilhelm finally came to the subway station, he saw Blohirum wearing a pair of sunglasses, a kind of covering existence, which was an escape from the sins of history.
When Wilhelm met such a "father", he was eager to know how to write a historical novel, which was undoubtedly a political novel, "Politics I don't know, what politicians are not satisfied with It will be expressed in literature, as will human desires—just combine politics and literature.” Wilhelm wanted to find human desires in political novels, and he believed that desires were all the same, but , but what Blohirum told him was a kind of political novel that existed in the past, "The past is the past era, the coexistence of taciturn and no sorrow, this is political fiction." Turning politics into a kind of coexistence of taciturn and no sorrow He places political novels in an era of the past that cannot be returned, and Blohirum wants to lock that history in the "era of the past", so as to escape the sins he has committed. But this kind of escape, taciturnity and lack of sadness is connected to the present in another way, that is, the nosebleeds of the "liquid Benming year", which become a pathological condition once a year, and even become more frequent later, enough to explain the evil of history itself cannot be concealed.
Like Blohirum, the owner of the house is someone who has experienced "the past", but unlike "the past is the past", the owner of the house can't get out of the pain. The illness could not bear the pain and committed suicide. Living in a remote village, he was also surrounded by loneliness. For him, this loneliness was a kind of loneliness alienated by nationalism. He welcomed these people into his home, in front of the fireplace. He talked to Wilhelm about his loneliness, which is "German loneliness", he said, this is an idealistic traditional world, in order to transcend anxiety, all concepts are imported into daily life, courage, patience , Diligence has become a virtue, which is the philosophy of this country, but in the past, crime has become a legalized existence, and the shame brought by people's vanity has disappeared. "So it is very lonely in Germany." While speaking about this national philosophy on loneliness, he kept poking at the palm of his hand with a pen, and eventually the palm bleed.
Crime has become a legalized existence, which is the paradox of what he thinks is the existence of national philosophy. In the face of this inescapable loneliness, he uses self-mutilation to express the pain that he cannot get out of. The same is blood, Blohirum In the "Liquid Year of the Life", he chose to escape, but the owner of the house escaped the pain in an extreme way - when Wilhelm, Blohirum and others went out for a walk and chat, gunshots sounded, The third sound made them alert to end the conversation and returned to the house. The owner of the house had already hanged on the stairs. He chose to end his life by suicide and followed in his wife's footsteps, which was the result of an incurable mental illness. , but there is no need for the sound of gunshots to be fired when hanging. Where did the three easily overlooked gunshots come from? Perhaps this is a more general warning that more "fathers" trapped in German-style loneliness will say goodbye to the past in this way.
Blohirum and the owner of the house are symbols of "a bygone era", and the fat poet Veron also represents the past, he is with them because of his poetry, and he also recites his own poetry, in his poetry It's a rotting mushroom, a dark sewer, and "my dying struggle." For a poet who can't wake up, the existence of these images seems to represent the lost generation of young people. The fat poet is about the same age as Wilhelm. , he should represent the youth of today, but it is obvious that he is "not awake" now. When everyone woke up and talked about the dream last night, Bellon said that he couldn't remember it all at once, but then He said that he remembered something, but in the end he didn't say anything. In reality, he was speechless, but he was shrouded in the shadow of "uncle". It was he who recommended that his uncle had a villa, and he invited everyone to go with him, but when the When they entered the house, what they saw was the owner of the house with a shotgun. Only then did Veron tell everyone that he had made a mistake and that man was not his uncle. Uncle was mistaken, and this kind of misunderstanding is precisely the generation represented by Veron living in the wrong past in the imagery of rotting mushrooms, dark sewers, "my dying struggle", and he finally chose to run to the train Station is also an escape from history.
Blohirum and the owner of the house, as well as Veron, who was influenced by his uncle, are all existences of the past era. They intervene in reality by means of escape, suicide and escape, and how this article of reality is written is very important to Will. For Heim, it provides a current sample, that is, Talyssa, the woman who was caught on Wilhelm as soon as he got on the train but parted ways on different trains, and finally walked with Wilhelm. Together. Wilhelm wants to be a writer, and she is an actress. Their encounter has the most realistic possibility of love. Talyssa said to Wilhelm: "I am myself, don't care about strangers." She Even Wilhelm was thought to be a writer from the beginning, but when they were together, staggering always happened: the trains seemed to start off on different tracks, looking at each other but heading in different directions; , Wilhelm said: "I want to run on the street with you", but there are different people next to him, and the conversation of the two of them walking side by side turns into a chaos of four or even five people together; That night, Wilhelm walked quietly into the dark room, thinking it was Talyssa's room, but the woman he didn't want to touch was Minnie, he slapped him, then touched his face; In the house at the foot of the mountain, he finally covered Talisa with a quilt, Talisa told him: "I'm very lost, but I love you." When the love finally happened, Talisa said: "I don't I like someone who is always indifferent."
Love finally did not happen in the interlacing, which is also a fork in reality. In the current world, two young people actually live in different states. Wilhelm's writing about reality is to find answers from history. Confused about political novels, lost about national philosophy, and experienced physical disability, but in Talyssa's view, the "I am myself" outlook on life tends to be a kind of egoism. Everyone talks about dreams, and Talyssa's dream is about herself, "I dreamed that I was wearing skates, the North Sea froze, I slid forward, and finally fell into the ice." One person's dream, one The sliding of a person, the fall of a person, requires a kind of love rescue, but this rescue is to practice the concept of "I am myself", in a sense even to tempt Wilhelm, but Expressing this kind of love desire in the form of a dream has become a performance for Talyssa, and as an actress, she also emphasizes "line life"-dreams and lines dress up life, of course. There is falsehood, there is even falsehood, so when Wilhelm wanted to get inspiration for writing, Talyssa went the other way, she ripped off the paper Wilhelm had written, she took the knife Wanting to "kill", she refused to go with him to Mount Tskushubis, just like the dream of falling into the ice, she finally told Wilhelm it was a scam - "Do your own thing by yourself" , others can't see it." Talyssa's egoistic view of reality is completely a dangling existence.
When history shows escapism, suicide and escape from reality in Blohirum, the owner of the house, and Veron who was influenced by his uncle, and when a new generation of young people builds a dangling existence with self-centeredness, the future will Where are you going? There is no doubt that Minnie is the representative of the future. This girl, called "artist" by Bleuhanrum, is pure, cute, and real. She will stand with her hands upside down and throw the ball to show her skills with a smile. Leaning unabashedly on Wilhelm to release her joy, she was slapped without anger, but the girl who was with Bluwonrum, the symbol of the "past", who finally and The girl who left Wilheim with Tasari "now" is not a symbol of the future, because one of the most cruel features in her is aphasia - she never said a word, she just used her body To respond to the world with actions and expressions, when the future becomes an aphasia, it is because it cannot safely walk out of the shadows caused by history, because it cannot speak in the loss of the present, and this is precisely the desire to become a writer, hope Wilhelm's predicament, who wrote his fate.
The past, present and future are an axis of time, which cannot be broken. "How do we separate? In the vast sea of people." How to find the direction of the future from the past is the proposition of a country's times. Some people lost their words, but even if this journey finally returned to a person's origin, there was still no change that could usher in the blizzard, and a "meaningless ascent" was taken, but one person came, one person overlooked, one person experienced Growing up is a writing in itself, a real embrace of nature beyond politics, like the first chapter of that book, in a world where "the sound of the waterwheel echoes in my ears", in the chirping of birds In the beauty of the slowly melting snow, the father did not go out, but the father came back.
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