Carrington's real life is more complicated than it appears in the movies.
The movie seems to revolve around her, but a lot of the time she's an outsider.
The scenes in and out of the two windows are done too well.
Men made demands of her, to stay overnight, to London, to Spain, to get married, but few really cared what she thought.
Litton cared about her, but not in love. But she loves him, so she can only choose such a complicated relationship. In this relationship, she said "I am your pen wiper".
The pictures were beautifully shot, and both men and women acted well. The painting at the end of the credits senses Carrington's love for Lytton.
Both this film and Sense and Sensibility, both 1995, were nominated for BAFTA. The difference between the two roles is relatively large, and Emma's performance of this kind of Wen Qing is too good.
Women love gays, gays love straight men, straight men love her. Emotions are really unfair.
Ps. Thanks to Emma for her dedication to art, I watched it, I am fine.
Holding the flower, I dreamed of "Leave Traces of the Past", Miss Keaton, eternal pain.
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