The Chinese name is very dirty, and it feels like a mainland reality show that I came up with without thinking. The English name is the theme of Ballroom Dancing, Take the Lead, trust each other and dance gracefully. At the same time, it is also the spiritual core of the film, one's own life, one's own control. Now, compared to films that want to tell a story, they are all intricate, the main line and branch lines are unfolded, and the value output is clearly defined; those who want to express their vision are all in a tight rhythm, with special effects that blow people's eyes and burn money. This film has an old-fashioned plot. The actors are mostly unknown. But it's definitely a movie that I can watch over and over again and blow out every famous scene.
Antonio Banderas, accompanied by the blues of the title, stepped on ideas, elegant dance steps, gradually from gentlemen's shoes to a man who appeared in full body in the camera. Needless to say, how shocking the famous scene is. When I watched Zorro's Bride and the Red Trilogy before, I had already experienced the bloody dance steps of the Spanish prince, as if my breath was taken away.
The last time I rewatched the show, at the end, I quietly slid through a barrage, "This is a very good song, and it won't be inferior to the deepest kiss."
I don't know if the person who knocked down this barrage is also swiping this movie on N like me. Every dance in the film, tango domineering, romantic waltz, cute salsa, every short but suitable episode that suits the development of the plot to set off the mood of the characters, every scene of Mr. Durrani's heartfelt speech, and the mist in the morning. The streets of New York with pedestrians can be empathetic. This is also the reason why I like this movie very much. Although its plot is old-fashioned and the actors are mostly unfamiliar, it does not prevent me from walking into such a story and enjoying a moving dance music.
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