Perhaps in the influence of cult films, we can easily be a warrior facing the dripping blood. The adrenaline will soar as the stumps scattered in response, the hormones will go to the sky in the collision of the locomotive, and follow the director to make the displacement of the horse by the rein. There is a hearty emotional explosion in the swaying editing and shocking sound effects. You can shout or scold, and you can be as casual as you want, and as cool as you want. But here in M·Night·Samaran, you have to converge, you have to sit firmly and sit up straight, because Cole said "I see dead Seeing the lover in pain but unable to do anything, what else can be done besides blindly wandering, each time intimacy brings not the comfort of expectations but the chilling chill. The appearance of Cole is a psychic longed for by both sides, so the undead can do what they want and the living can be relieved. Every lingering soul is filled with unspeakable love, and has an unattainable desire, beautiful but with inevitable sadness. We can say that death does not abandon love, and death cannot be allowed. Love is dying, maybe as Haruki Murakami said, "Death will exist as the opposite of life forever." Maybe they haven't really left, maybe the horrible moment is the affectionate embrace of the deceased, maybe this winter is really not too cold. Director M. Knight Shamaran is very talented, he has brought the psychological suspense to the extreme. The seemingly calm but extremely shocking scenes have reached a heart-wrenching feeling. The unusually calm handling makes the story smooth and the ending is sweaty. Shocking~~ It’s no wonder that when the film was released, a "tip" from the director to the audience after the film was released: Please do not reveal the ending to audiences who have not seen it. Even if the director is so confident in his own work, I have no reason to have no confidence in this work. However, the most exciting thing is that the film is not a general psychological suspense or horror, but in its bones is a moving warm current. Maternal love, the care between people, and the harmonious coexistence of people and "ghosts" all stem from spiritual communication and listening. "A ghost does not know that he is dead, and he only sees what he wants to see", an incisive line that reveals the inextricable relationship between humans and ghosts. The two are not hostile and struggle, but can coexist! A philosophical thriller! Shamaran is very talented, and he takes psychological suspense to the extreme. The seemingly calm but extremely horrifying scenes reach a heart-wrenching feeling. The unusually calm handling makes the story very smooth, and the ending is sweaty and shocking. No wonder the film back then. When the film is released, after the film is finished, a "tip" from the director to the audience will be displayed: Please do not reveal the ending to audiences who have not seen it. Even if the director is so confident in his own work, I have no reason to have no confidence in this work. However, the most exciting thing is that the film is not a general psychological suspense or horror, but in its bones is a moving warm current. Maternal love, the care between people, and the harmonious coexistence of people and "ghosts" all stem from spiritual communication and listening. "A ghost does not know that he is dead, and only sees what he wants to see", an incisive line reveals the inextricable relationship between humans and ghosts. The two are not hostile and struggle, but can coexist! A philosophical thriller! Shamaran is very talented, and he takes psychological suspense to the extreme. The seemingly calm but extremely horrifying scenes reach a heart-wrenching feeling. The unusually calm handling makes the story very smooth, and the ending is sweaty and shocking. No wonder the film back then. When the film is released, after the film is finished, a "tip" from the director to the audience will be displayed: Please do not reveal the ending to audiences who have not seen it. Even if the director is so confident in his own work, I have no reason to have no confidence in this work. However, the most exciting thing is that the film is not a general psychological suspense or horror, but in its bones is a moving warm current. Maternal love, the care between people, and the harmonious coexistence of people and "ghosts" all stem from spiritual communication and listening. "A ghost does not know that he is dead, and he only sees what he wants to see", an incisive line that reveals the inextricable relationship between humans and ghosts. The two are not hostile and struggle, but can coexist! A philosophical thriller!
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