The 7th screening day of the 16th #Faro IslandFilmFest#unknown unit will bring you "Super New Testament". Please see the comments of the front-line human beings after they meet the gods!
The song is wrong:
Humanity and Divinity.
Without thinking or without thinking:
This is the easiest, fastest, and uninterrupted one I've seen this year!
Spy Liu:
In the absence of subtle text, all playful deconstruction becomes deliberate and boring.
Her Majesty:
It's not serious enough, and it's a bit sane, but I still have my hands on the feminist plot.
Zhao Xiaoqiang:
From religion as the starting point, it gradually becomes a problem of human nature. But a particularly favorable cut is always lacking.
Fruit trees:
It's very childish deconstruction, and it really brings a bit of thought-provoking elements, and it's a bit like looking back at "Amelie".
Cuckoo porcupine:
It's very interesting to play rotten memes. Although there is a suspicion that you can't think for yourself because of the rhythm, this year's film festival is a rare and refreshing film that is not depressing, not dark, bloody, and decadent.
psychopath.MN:
If the ending can be closed in time, it will be better, and the final shot will fly, and it will be subverted all the way. Everything seems too straightforward. Maybe it's just right if you stay where your mother changes the sky.
Xavier - Antiwatch:
The most innovative film and television interpretation of the Bible, replacing the original 12 with 18 believers of the Holy Father, and sending the Holy Father to Uzbekistan (a country where the Bible is forbidden), the only disadvantage is that the ending is weak and cannot be Justify yourself.
Poem to Edlin:
An extremely novel concept but lacks a matching conceptual content. As expected, the height of the text content is not lower than the preset frame to be successful, but obviously the director is not interested in this, he is only fascinated by the cleverness of such an idea, or It can also be guessed that he does not have the corresponding implementation to make it better.
Polaris.J:
Very French. I often imagine that it would be nice if everyone knew what their own death date would be~ I think it can be more imaginative~ It is hard to imagine that it is the same director as the person with no surname. It's a bit of a bashing of male rights and straight men's cancer, but God is actually kind of cute hhhh. Well, it turns out that so many unhappy things in life are all your jackets.
Midnight no one:
The curiosity and fun that came from deconstructing the Bible actually faded away in about half an hour, but instead it began to extend into another force supporting you. The overall posture is always relaxed and playful enough, and there is no ambition to try to raise one's body at any moment because of that metaphysical starting point. All views and judgments about religion are in the state of watching fire from the other side, and the landing points are countless warm. The details of human nature are mundane sorrow and loneliness, happiness and joy, the sacrament on the frescoes, and the end of the dining table is not heaven, but life.
Ou Yin:
Similar to "The Man with No Surname", Van Dommel is still obsessed with high-concept stories, mixing tributes or existing elements to make his unique, literary, and idealistic expression. Different from the heavy and deliberate work of the previous work, this work ends at the most obvious and most profound place, that is, the liberation of the soul, the resistance to patriarchal patriarchy, the pursuit of love, and the struggle for body domination, etc. are just the core of this. Externally, the five words "Super New Testament" have already made clear this essence, but this "religious" movie is not as expected. It does not pretend to be esoteric, mysterious and mysterious. Humor, world reboot, all things cute.
Bob's Porridge:
The combination of excessive spectacle and undirected text can only become extremely weak, not every childlike vision is charming enough, and excessive repetition seems cumbersome and uninteresting (recurring new Last Supper oil painting, recurring dimension. Keto wrote the super-New Testament, which is not powerful in itself), and the borrowing of the Bible only stays on the most superficial structure and ideographic text (Exodus is only a runaway from home, and the disciples are only six more and disappear. The "brother" seems to be Jesus), the more complex counterpoint is ambiguous, and there is no change in the state and behavior of the characters, and it finally becomes a circus show of self-revelry. The selected six disciples seem to be deliberately showing a diversity, but they are not diverse and complex enough, and they are confined to a safe area.
#FIFF16# No one knows the 7th day issue of the unit will be released later, please wait and see.
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