The 16th #法罗岛电影节# The 7th screening day of the main competition unit will bring you "Border Killer". Below, please see the comments of people with different looks in the frontline junction area facing the situation and different attitudes!
RyanRyqn:
Photography is particularly beautiful.
Polaris.J:
Villeneuve is so cold, I finally finished it! You know how to shoot the sky blue!
The heart is a lonely hunter:
This is a commercial film that I like very much in recent years, especially the kind of soundtrack with low drums and dense ears. With the tense plot, it is not icing on the cake, but complements each other.
Fruit trees:
Not as good as Villeneuve’s best work "Scorched Earth", but better than "Prisoner". Miao Zai chose a different female perspective to tell such a story about male hormones, and the atmosphere has always been very calm, and it feels like you have been holding your breath and watching it.
Poem to Adelin:
The extra-legal land of a true sovereign state tells the world that there is no need and no righteous police, ideal democracy can not be on the stage, there is a Mao’s justice and freedom. Emily became the protagonist in half of the episode before Benicio appeared as the master. Deakins oppresses photography and merges with Villeneuve, as if from a national border.
The Queen of the Faroe Island Empire:
The four stone pillars of violence, illegality, killing, and hatred support the temple of order. When they are eradicated at an immature time, the temple will collapse and order will collapse, but if black is mixed with white, white is no longer white. A temple built with evil is not worthy of being a temple of honor. Under order, justice retreats to the second place.
RIVER:
Roger Dickinson’s photography is full of presence, the soundtrack is very good, the director has completed a good show, there is nothing commendable other than that, the script has been mediocre enough to be able to watch the movie. To the point where many similar and more sophisticated scripts were devised, the actors were reduced to complete instrumentalists under the framework of this script.
Pincent:
A more commercial and mainstream attempt than "Prisoner", with the flavor of Hong Kong movies and Du Sir. The visual presentation of military strikes is excellent. Continuous aerial shots of escorting prisoners, night attack scenes using natural light and thermal imaging night vision lenses. These two passages show Diggins' personal skills. The heroine's role is a little white rabbit who looks like a wolf. Seeing that half of the protagonist has changed, it has an anti-type function.
Full of Zhao+:
Before watching it, I thought it would be a special commercial crime movie. The soundtrack and photography are as good as ever. The low-pitched soundtrack and drum beats below make people feel nervous at all times, and the auxiliary line is very light and it strikes you appropriately. The overall narrative is slightly mild, but the crime city Mexico full of western colors under the lens of Bullfrog Island is already very attractive. Uncle Benicio is a cold, profound, and much more charming Western Pete.
I know her a little bit:
Wen Tun's narrative is like a fish in the water in "Arrival", and the blank shots are glamorous in "Blade Runner 2046", but the two actually achieved the effect of "1+1<2" in "Border Runner", no A solid foundation of details, no in-depth play structure, no extreme technical experience, the slow pace that should be an advantage instantly becomes a disaster, the ambiguity of the character image makes the arc scattered, there is no cause or consequence, no The past has no future. This is a battle without passion. Although the gunpowder is full of smoke, it is still inspiring.
O. Yin:
It can be said to be a model of skill in the genre. The photography and soundtrack are awesome, and the design and scheduling of each lens is more precise. As the plot advances, the sense of depression gradually strengthens, a kind of being weak, entangled, The unique atmosphere formed by the collection of compassion emerges from the screen. This atmosphere seems to be a distinctive feature of the Villeneuve movie. The theme of Arrival and Blade Runner 2049 is completely different from this work, but it also has this look and feel. The script itself is actually not excellent, the characterization can only be regarded as mediocre, but the last football field section is very fond of, separated from the core characters of the main line, but returned to the final core of the film.
Mozart Lensu:
This female character is an invader and order breaker, but as an outsider, the setting of ignorance and recklessness as a chess piece is unfavorable at first. The only woman in this environment appears weak and ignorant, as if the meaning of the female role is to highlight the gender privileges of a patriarchal society. The question is, not why such a role is played by a woman, but why is it played by the only woman. In male-dominated movies, men can perform diverse roles, and it may be difficult to place women in positions. However, it is a bit wrong to not obliterate the gender-antagonistic distractions like this movie. Cause discomfort.
Cangshan ancient well air to the moon:
Ideals are shattered, "civilized law enforcement" and procedural justice are invalidated. Here, death is the daily life, fire and the barbaric land like fireworks. The greatest victory is the establishment of a controllable order. Perhaps it is precisely to highlight the contrast, so I set the protagonist as a woman, walk into a world full of men (violent), witness the law enforcement on the border, contrary to the heroic story mode of the genre, as the protagonist Kate can experience only confusion , Powerless, compromised, and aggrieved, she couldn't even fight with a small subordinate of a drug lord. In addition to expressing the main theme, the audiovisual language is also very good, especially the scene of escorting the prisoners, which produced a solemn, solemn, and grassy atmosphere. The audience also followed Kate's perspective and gradually raised their hearts to their throats. And at the end of the night scene, the switching of the night vision camera angle of view and the thermal imaging angle of view is also eye-catching.
Hethang:
The whole movie is more like casting a huge contrast-like shadow. The overlapping of light and dark in photography and the unevenness of high and low in the soundtrack are a kind of contrast on the surface. However, in the bleak place where all laws and rules have lost their effect on the border between the United States and Mexico, several protagonists face each other's forces. The different attitudes embodied in between are even more of a strong polyhedral representation that penetrates the bone marrow. Some people still secretly yearn in a corner of their hearts that those rules like the gods can drop the rain on this land, but they don’t know that such water droplets are useless at all, because it has already lost all opportunities for rejuvenation. Can let the flames of anger burn again and again. In this story, no one made a mistake, only different means, but in any case, the result will only lead to the word sad. The game in the wilderness is still being played, but the tangible or intangible killers on the border cannot appreciate this happiness. They are already trapped in this chasm and cannot escape.
#FIFF16# The score of the 7th day of the main competition unit will be released later, please wait and see.
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