The first screening day of the main competition unit of the 16th #Faro IslandFilm Festival# will bring you "Three Memories of Youth". Please see the evaluation of the middle-aged men from the front line looking back on the past full of radiant memories!
Prometheus：
About youth.
Pours full of Zhao +:
A memory of the simple and cliché of youth.
The heart is a lonely hunter:
The transformation from white moonlight to broken shoes, from licking dogs to people's mental journey.
RIVER：
Disgusting others to seduce your girlfriend, it's like uncle you didn't have sex with someone else's girlfriend.
George：
If it weren't for the fact that the male protagonist in the third paragraph is really my dish, I really can't stand it. Art and photography are especially unbearable.
Fruit trees:
The ending couldn't have been better. In fact, the story itself does not have much ups and downs, and the design that should have been pleasantly surprised is presented very daily and content. It is more meaningful for middle-aged people to look back at their youth anyway.
RyanRyqn：
A typical French youth film, compared to other films of the same type, is structured to describe various childhood accidents, adventures and regrets in terms of family, friendship and love. The director is very skilled, but lacks in new ideas.
Mozart Lumso:
In the communication between time and consciousness, love occupies most of the memories of youth. Because of loving you, I have changed myself; and because of loving you, I have become who I am now. When they fell in love with each other, sweetness fell into a desperate situation of pain, like a broken flower, this kind of youth love song moved me so much!
Pincent：
"Why do you look so sad? Because I saw the end of my childhood." "Before I met you, I couldn't feel the passage of time." The prologue is a bit "misleading", gradually opening a slow narrative, reminiscing Brilliant Years is always about all kinds of naked bodies. In the closing paragraphs, the various fragments are reassembled, once again proving the importance of the freshness of the characters, the aura of the structure, and the enthusiasm of the narrative.
Cangshan ancient well empty to the moon:
At the beginning, I felt a little novel about being an "intelligence officer" during the Cold War. The later development was the routine love affair and jealousy in adolescence, but because of the relationship between Paul and Esther - especially Esther's relationship with Paul's love - shaped enough to avoid the sense of boredom, and the retrospect of the past after the beginning of old age brings a sense of melancholy and regret to the film. When I was young, I thought it was "correct" and "had to do". When I look back, I feel full of regret, and life is inevitably accompanied by mistakes and losses.
Midnight no one:
First of all, please stop touching the new wave of porcelain, and just pick out a few films, whether it's "Departure", the Antoine series, or even Godard's short films, the images are much more flexible than this one. If This is also called "New Wave Resurrection", which may be "The Clown Resurrection". The running account is not terrible, but such a boring running account is terrible. I didn't expect the story to be so exciting, but how can it be so lackluster? Except for the short-term retrospect of the lost time at the end, which is relatively refined, the whole movie is like a pool of stagnant water that has lost its sense of flow for most of the time, neither youthful nor lifelike.
I know a little about her:
There are probably more than these three boring memories about youth. To be precise, those frivolous youths and tears that have been in your eyes after many years are actually just self-moving, and there is nothing new, only lengthy recitations, all storylines Dragged forward by the gorgeous music, this ethereal emotional aftertaste was dissolved by a few tears of the person in the painting, and after air-drying, only sticky and bad traces remained. Those young and immature faces are the same, only Amalek can ignite the long-lost love, every wrinkle of his is thinking about what you show is the youth in the years, and what is the righteous youth.
Polaris.J：
This is the first time I saw three paragraphs with different proportions. Sure enough, love (or emotion) is the most important thing in youth~ I have no feeling for the first two paragraphs. feature. The emotion of the third paragraph is very touching, and this paragraph is also the newest wave. It turned out that the clip with a friend and girlfriend doi focused on the private parts to show that there is only sex and flesh, not a complete unity of spirit and flesh. It's hard to fall in love in an age where you can only write letters... I really like European movies where you can shoot the two of them naked after finishing. This is sweet and real. Who will wear them immediately after finishing? Digression: The male protagonist can actually work at the Musée d'Orsay! ! This is a dream job! Favorite museum!
Poem to Edlin:
Assuming that this is really a real memory and past, a "literary" narrative is arranged according to the events that connect and restrict each other in the plot. The time flow is fixed as a series of moments, and the characters' psychology must change. Of course, the film is indeed In order to simulate the flow, I tried my best to arrange at least three different narrators to speak directly in large paragraphs, but the skeleton compressed into the main points of "text" must be connected to the past while advancing toward the predetermined goal of the present tense. Explain cause and effect, so from the beginning of the adaptation method, the structure has been fixed, so-called long "novels" are always compressed into short stories, or even synopses, and when you want to look back, you can only rely on imagination instead of Video, the so-called "movie" is reduced to "a mere two hours to take you to read Proust quickly".
Hethang：
The whole film is euphemistically called "Three Memories". In fact, the first two memories seem to be used only to make up the content, whether it is the hero's childhood experience or a Russian adventure, but it is only discarded if it is used. Tools generally become meaningless. What really matters is the story about the heroine in the third paragraph, but this one is even more unbearable. It is really not an appropriate choice to analyze the French people's casual love in a very philosophical and critical way. The emotional presentation mode of forbearance to eruption is really unacceptable. A cultural atmosphere that is unfamiliar to the audience will naturally be accepted by the audience if it is expressed in the right way, but if it is used in the wrong way, it will make the audience feel more blocked. It only makes people feel shivering in the cold wind without knowing what to say. Is promiscuity your capital to show off? I don't understand what's so good about this kind of movie, Fu Mao sent it to the director's fortnight to do well.
#FIFF16# The first day of the main competition unit will be released later, please wait and see.
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