Continuation of the legend

Kimberly 2022-03-19 09:01:03

The second part, as a continuation of the legend, detailed the protagonist and his group's grievances and entanglements that originated thousands of years ago (no wonder they can get together after being reincarnated), the cohesion of the plot, and the clever design of bridge segments such as dominoes (son Sure enough, I have sex with my mother) are the strengths of this film; the only unsatisfactory thing is that the special effects of this film are backward compared to the previous ones.

The priest’s so-called love that spans three thousand years is nothing more than a joke after all, becoming vulnerable to fickle women; and Ansuna, who betrayed him, also suffered retribution and tasted the bitterness of all insects (personally think other comments about The statement of two souls is probably just wishful thinking of the audience).

A few interesting details about the role: No matter how precocious the son is, it is only an accessory, and parents are true love; Immortal suddenly mastered English after this resurrection, it seems that I did not learn less when I went back last time; and it seemed useless. In fact, the uncle, who is very critical, can always bring surprises.

The wife played by the goddess Vichy is a bit more charming than the previous one, and she has to give one more star to this point.

In addition, it is impossible to verify whether the original script of "The Legend of Gods and Ghosts 3" is true or false, but at least from the perspective of the script, it is much more professional than the so-called "Tomb of the Dragon Emperor".

PS always feels that the special effects with hair are weird, maybe it's because I'm used to looking at the bald head.

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Extended Reading
  • Myrna 2022-04-21 09:01:20

    Two or three years ago, The Mummy 1 didn't dare to watch it, but now I think it's normal for horror movies, and The Mummy 2 is a cloud + pediatrics

  • Edwina 2022-04-22 07:01:03

    Pharaoh: "How many times do you have to return, and let no one sleep."

The Mummy Returns quotes

  • Spivey: What is this? Look at the state of this rubbish. Those egyptians never had a clue. Look at that stuff. It's all chintz and stuff. Look at that. Cheap pottery, this Ancient rubbish.

    Spivey: [when Alex hits with a slingshot on his head and he uses his gun to threaten him] Aaah! Jacques, someone hit me head!

    Jacques: SHUT UP, SPIVEY. This place is cursed.

    Jacques: [while Spivey groaning and sobbing when his head is hurt when he saw Alex way up there] We do not want to wake the gods.

  • Jonathan: So then I killed the mummy and all his minions and stole his sceptor.

    Show Girl: [smiles] Oh, you're so brave.

    Jonathan: And rich. Did I mention rich.

    Show Girl: What do you think I'm doing here?

    Jonathan: [a bunch of henchmen entering the O'Connell house] Sorry. We must be in the wrong house.

    Show Girl: [she got caught] I thought you said this was your house.

    Jonathan: No, I didn't

    Show Girl: [looks at Jonathan] Call me!

    Jonathan: Uh-huh!

    Jonathan: [he was caught by the Curator's henchmen] you're not Sheila's husband, are you?

    Baltus Hafez, the Curator: No.

    Jonathan: [sits down in his comfy chair] Look, if you work for Johnny, I was gonna pay him back on Tuesday.

    Baltus Hafez, the Curator: I don't KNOW any Johnny. We are looking for the bracelet of Anubis.

    Jonathan: [looks at the Curator] Oh, good. Good for you. Good thing to have, the old bracelet of Anubis.

    Baltus Hafez, the Curator: [seriously] Where is it?

    Jonathan: Ah, you're looking here for the bracelet. I see. Well, I have no idea what you're talking about.

    Baltus Hafez, the Curator: Mr. O'Connell, you try my patience.

    Jonathan: Mr. O'Connell? No, hold on a minute. you've got the wrong ma...

    Jonathan: [when Shafek holds his knife up on Jonathan's neck] AAAH! That bracelet. Yes, of course. Now I remember. I lost it in a card game.

    Baltus Hafez, the Curator: For your sake, I hope not.

    [looks down and he takes the sceptor]

    Baltus Hafez, the Curator: It can't be.