Formulated superheroes come and go as nothing more than entangled self-cognition barriers on the surface. It is rare to have blackening and it is too simple and straightforward. The so-called psychological depiction can basically be regarded as a literary drama that avoids the visual fatigue of "Transformers" and forcibly cuts through the scene. , and ultimately rely on special effects to rescue the plot.
The combination of Wonder Woman and the wave of women sweeping the world gives the play itself a very tolerant space and topicality (I am afraid that kicking and sexually harassing homeless people can make women who love "Return to the Garden" applaud). After all, the unique delicacy and insight of female directors will always raise eyebrows. Unfortunately, what they expected was a stormy sea, but in the end they found that the original action and love were stranded.
Retro style of the 80s, not the old-fashioned creation of the 80s, childhood competitions and mall robbers, like a high-definition restoration of an 80s action movie, spent a lot of time solving several robbers, and flirting with black girls, boring and dizzy Sleep; Barbara's gestures reminded of the aging Phoebe in "Friends", but as a Kochi, regardless of her appearance, body, education and knowledge, is she really a "dinosaur" that no one cares about? Once the viewing process becomes an autopsy-like review of the side branches, the perception will decline. Love and friendship both failed, the strongest immortal on the ground was omnipotent, but could not get rid of the fate of a hundred years of loneliness, Steve's decision to leave, Barbara's sudden betrayal, Diana's face full of loneliness , like a lyric from Mc Hotdog "I'm tall and thin, I'm in good shape, I can cook and do laundry for you, and I'll help you have children, why do you do this to me?"
The answer is not clear. How can a heroine who is aloof and seemingly accessible, understand the greed, hatred, ignorance and doubts of mortals? She felt that she was burdened with too many troubles, and it was the obsession that others couldn't ask for. Why not eat meat and put it in the dialogue between her and Barbara, not to mention that Steve didn't appear because she made a silent wish? Why does the Virgin, who is "maintaining world peace" in the end, cry out to the world to give up its vows? Originally, the tragedy was heavy and complicated human nature, and it was wiped out in ashes. I can't help but admire the "scumbag" Steve for understanding the truth early in the morning, pulling X ruthlessly, and walking fast in the world.
Sincerely feel sad: Gal Gadot's hard-shot makeup is amazing, but the character in the movie is so exaggerated that the white lotus crosses Versailles. Does this really represent the voice of women today? Or is it another kind of objectification?
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