On the ninth day of dark circles, Romanian director Cornelius Polanboyu's work "Police, Adjectives". A boring film about a young policeman who was caught in the entanglement of love and law in handling a case of juvenile drug abuse. In the end, the young policeman was led by the unit to do ideological work from the height of semantics and grammar and execute orders. The rhythm of the film is slow and the images are rough. It is a work that has more value in discussing social issues than images. The film is more realistic and reasonable in showing police work. It is better than last year's "Police", which was taken for granted. The viewing process is actually quite boring, and there are only two dialogues about the text that are a bit interesting. One is the discussion between the male protagonist and his wife about the intention of the lyrics, and the other is the section at the end of the film where the leader takes a dictionary and gives the male protagonist a Romanian language class. In fact, the problem faced by the male protagonist in the film is the confusion faced by many young friends when they first enter the workplace. In many cases, the so-called "conscience" is a manifestation of non-professionalism, and it is also a place where self-awareness does not match the requirements of professionalism. Saying one thousand, saying ten thousand, when conscience and professional ethics conflict, there will always be a priority. Which one do you choose first, occupation or not. The choice that the male protagonist should make under the consideration of love and law is not made under the definition of "police", but should be made under the premise that he defines himself "whether or not he is a policeman". meaning, otherwise it can only be persuaded by a dictionary. In this way, semantic grammar, definition and being defined seem to have become the preconditions for discussions on many social issues.
2020.8.2
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