For this movie, I went to the Dolby Cinema for the first time. The effect was good, and the screen was huge. This is a very unique viewing experience. Because before watching it, it was penetrated by various notices, articles on public accounts, and even after watching it. Although it was avoided intentionally or unintentionally (for fear of spoilers), it was more or less exposed. The strange thing is that, before entering the theater, the basic concept (non-pejorative) of the film has not been constructed. So watching movies without preconceived notions, great. Went to see it with my mom. In my impression, this experience is rare. In terms of acting skills, Wang Ziwen is the best, followed by Spring and Summer. Deng Lun in the first half. Zhao Youting is great in the first half, but a little bit in the back (I can't think of anyone who can do better). Others are not evaluated yet, and more observations are needed. In the plot, the emotional context of Wang Ziwen's line is more clearly explained, and Seimei Boya's side is slightly weaker. The sense of trust seems to be saying more than doing, slightly less. The story line of the two of them in the later period is a bit weak, and I haven't read the original to be supplemented. Music is admired by many people, and I think it's good too. In the opening fight, the lute is great. If it is a suggestion, is it possible to make the background music stronger or weaker? I feel that the weak areas are not enough, and the white space is not enough. Overall good, music at the end is great.
Fuhuadao not to say, is satisfied. The overall shape of the giant snake is not flexible enough, slightly rough, but the rest are good, almost perfect.
I think the overall plot to the hand-to-hand fight is weak, but in the end, Seimei found the princess and started, through the memories and details one by one, the emotional layers were cut apart, and the whole story was completed and completed, which is relatively satisfactory. (I personally think that Wang Ziwen's acting skills have made a great contribution here, and the two relationships are very touching.)
As a whole, it is qualified in terms of commercial film, story integrity, and actors' acting skills. I feel that it is between 8.5 and 9.0. Looking forward to the second part.
At the level of Guo Jingming's work, it is still possible to reach what he said as the pioneering work entering the second half. I hope that the future script stories will be more level and fuller.
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