First, the actor's acting skills are OK. Second, Guo Jingming's common problem is obvious, and he always feels inexplicable when a certain emotion erupts for a certain emotion. Don't say I didn't understand it, he's not that deep yet. Then there is the slightly hypocritical line "You already bear the fate of all beings in awe", this "all beings in awe" is really very Guo Jingming, and instantly returns to the flashy feeling of childhood, dancing. Third, the first 2/3, and even 3/4, can be ignored. They are almost huge waste films, because the common problem obviously makes people dance, such as being funny for being funny, being angry for being angry, using big The length makes people sleepy, and the rhythm of the film is very scattered. Fourth, Director Guo often says that other people's logic is not self-consistent, and I hope he can review himself. I can forcefully explain to you that Master Zhongxing has cut snakes, so when he comes up to bring trouble to the snake, he will fight with him, but why is the virtual shadow? Is there no difference in strength from the awakened body? Is there a restriction because he merged with Tsuru Morizuki? So why did he willingly merge with He Shouyue? A divine beast in the beginning of chaos, willing to obey a paper man? Even if he is a newborn snake, at least he can kill the paper figurine in seconds, right? Except for the sturdy head and big stature, I really didn't see anything like a "calamity" snake, phobia of giants? And Seimei, I didn't see how strongly he had feelings for those three shikigami, I only knew that he loved Boya, a person who had only known each other for a few days, and he didn't care much about the three who guarded his master and his life. Shikigami, this Onmyoji and Shikigami's emotional logic is extremely inconsistent. Could this be love? The three shikigami are also very difficult to "self-consistent". The strength is too weak, and I don't see their usefulness at all. Is it just dragging time with their lives? That's a calamity! So the evil snake is just a head iron? Shikigami fights are skills + normal attacks, right? Why did the dignified Suzaku (Deng Lun's black-winged form) fight the evil snake from the beginning to the end? The ancient mythical beast that suppressed the evil snake, even if it is only a form, it is not all basic attacks, right? Are the ancient beasts all set with a hard head? Primitive divine beasts fight hand to hand (?) in a primitive way. Other shikigami can't get up after two hits, but Suzaku is fine after a long time. Is this the difference between a crispy skin and a tank? In the end, Suzaku was blasted away by something that was fired by the snake. The only thing that the snake had to do was attack with skills, right? However, those shikigami seem to have only one skill per person. Is the killing stone skill sliding? Various details, and so forth, are inexplicable and difficult to explain. Fifth, Fu Hua Dao is really good, the scene is beautiful, but changing the director may make this work better. It's not that complicated after all The story, it can even be said to be a very simple story, is inexplicable in front of people, but explained in one breath at the back, it really kind of complicates simple things, making people feel like they talked about this in a long time after reading it, it is so big So virtual. Excessive force. To sum up, if the full score is 10, I will give you 6 points. I have already given it with gritted teeth. 5.5 is the most suitable score in my opinion, but I like the theme (Onmyoji full IP gamer) and the actors (Lun Lun? ? Wang Ziwen I can), so 6 points, no more. Director Guo, you passed the grade, so let's pass the movie. The connotation of the beauty of film is not always beautiful with you.
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