To be honest, when I saw the plot overview of the spell in the new guide, I was not interested at all. After watching the animation for so many years, I have long been tired of the routine and blood, and I am even more powerless to complain about the plot of the teenager to save the world. So I didn't want to look it up until I was bored a while ago.
Man, I think I can travel back in time and slap my face.
Since the giant, I haven't had the urge to go to make up the original for a long time.
Then after tying up with the comics, I passionately ordered a full set of Taiwanese entities.
Compared with the ardent blood of kings like the Sea of Dead Fire, the viewing experience that incantation gives me is actually closer to steel and hunters.
The rhythm is compact, the plot logic is smooth, the main line is clear, no procrastination, no flaws;
The combat power system is interesting and rigorous, and the concept of "binding" has been implemented throughout, and it has played its own characteristics on the infrastructure of the predecessors;
Hair Bento is neither afraid of hair, nor random hair, the exit of the pros and cons has logic and weight;
The motives of the character's behavior are clear and in line with the age and experience; the villain has a well-planned, online IQ, upholds the morality and philosophy he believes in, and does not slander or whitewash it;
The character design is top-notch, the protagonist is decisive in killing and is not a virgin, the female characters rely solely on personality charm to attract fans and do not sell meat, all members can communicate online without being hypocritical, and there is no one who makes people feel that I don't listen to me and the middle two. Sick, there is also a 5t5.
Mustard is an author who is good at seeing the truth in the details, but he is not good at innovation in the setting of the big frame, so the beginning of the work is very visual.
——The young man obtains the power of another world to save people like death, the two men and one woman and a teacher are like the seventh class, the exchange meeting of high school is like a hunter winning a card, the protagonist's life experience is a mystery blood relatives sacrifice to heaven, which is a traditional jump art.
Many people are preconceived at the beginning and don't read it down, but in fact, if you look back a little bit, you will find that whether it is the character of the protagonist group, the relationship between them, or the essence of the scum in the scumbag, it is all the same. The old routine is very different.
The beginning of the incantation is more like the must see to adapt to jump's serialization, borrowed a shell of the king's blood, but instead locked himself. As a result, the works were constrained in the early days. They wanted to make breakthroughs but did not dare to cross the boundaries. They wanted to innovate but had to ignore the royal tradition.
Of course, this pot can't be seen alone, and the editorial department can't run away. Mustard's original case is not a campus story at all, and it is more youth-oriented in setting. Including this exchange meeting that I was asked to add, it is also the chapter I have seen that I find the most routine, boring, and lacking in the characteristics of magic.
It can only be said that it is a pity, after all, when the spell has a firm foothold in jump, must see really let go of his hands and feet to show his style, it is already the eighty-eighth bridge chapter, and the first season will not be able to do it.
Putting aside the subjective viewing experience, if I were to summarize the core advantages of mantra compared to other juvenile passions from the objective content, I think it should be "delicate".
The specific performance is: "logical rigor" + "empathy"
Mustard is an old logic man, and his strict adherence to the basics of the work is reflected everywhere in the spells. Just like the combat power system, all changes in combat power must revolve around the core setting of "binding". The strengthening of one attribute must correspond to the weakening of other attributes. (Kurapicka:?)
In terms of the macro "theme of the work", Mustard sees this point even more vividly.
⚠️The following analysis involves unanimated plots, so be careful ( ･᷄ὢ･᷅ )
In an interview with Le Figaro, when asked "what does the spell want to express", must see this answer:
I have always felt that in a work, the character design of the "villain" is as important as the protagonist, because it can often reflect the theme of the work most intuitively.
There are two villains in conjuration:
One is the Su Nuo and the real people - killing is all based on love, and behavior is driven by nature - that is, to satisfy pure selfish desires.
Real people are born out of people's resentment towards people, so they hate human beings by nature, and take pleasure in killing and playing with them.
Why the uncle likes to kill has not been explained. I feel like he was very happy to kill the curse spirit, maybe the original body was a happy criminal during his lifetime ರ_ರ
The other is the clepsydra and blackened summer oil - upholding a certain lofty ideal, killing is only a means to an end.
The clepsydra yearns for the truth, despises the hypocritical human beings, and believes that the curse is more candid and pure. Therefore, I dream of killing all human beings and creating an era that belongs only to curses.
The logic design of Xia You's blackening is even more subtle, which perfectly reflects the "delicate" style of mustard's works, and it is worth picking out a small plate:
Mustard didn't use the old-fashioned "I protect the world, but the world betrays me" "It's all the world's fault" - the blackened template of the second class, but designed a complete logic chain, starting from Huaiyu. In the early stage of the article, Xia You's obsession with the concept of "meaning" has been continuously foreshadowed.
Xia You is an extremely logical person, and he seeks a "meaning" in everything. In the past, he has always adhered to the "meaning" of "protecting the weak" to kill demons and eradicate evil, and to protect non-artists as his duty.
But since the Astral Plasma incident, he has seen the ignorance, cold-blooded and cruelty of non-magic masters. The logic of "non-magic masters are weak, so I have to protect non-magic masters" has gradually been shaken by reality. meaning" fails.
At the same time, affected by the side effects of the surgery, his emotional background was becoming increasingly depressed and extreme.
In the confusion, the dialogue with Ninety Nine inspired him. Xia You began to realize that since non-artists are not worthy of protection, but they are the source of the curse, then for the more noble "ultimate meaning" of "eliminating the curse", such harmful garbage as non-artists can be discarded .
The balance in his heart kept tilting. In the end, Xia You made a choice between being a non-artist and "destroying the curse", taking the villagers' abuse of the magician girl as an opportunity. In order to realize this noble "meaning", he decided to "kill all non-artists".
Because of this, in Volume 0's Hundred Ghosts Night Walk, 5t dared to send high school students to hold off Xia You, because Xia You did not and would not kill ordinary magicians. In the Shibuya Incident, 5t can also be so sure that the brain flower is a fake, because Xia You never disdains to associate with the curse.
Whether it is the mental process of blackening or the logic of actions after blackening, the entire blackening process is not conventional and interlocking.
Back to the point.
It is not difficult to see from the above analysis that no matter what kind of villain they are, their ideas are traceable, and their practice of ideas is also down-to-earth.
Society has a set of established moral standards, but in the final analysis, it is impossible for two people in the world to have the same three views. Everyone's understanding of the world, morality, and self-worth is the result of the combined action of various factors such as personal origin, growth environment, family, and education. And each person's different cognition will inevitably lead to different choices.
Everyone in the spell is a devoted practitioner of his own philosophy. There are of course "good" and "bad" ideas, but it's hard to say whether they are "right" or "wrong." Because from the perspective of social order, the concept of the villains must be "evil" and cannot be indulged; but from the perspective of the villains themselves, this concept is an extension of their growth trajectory and a logical necessity.
In the process of practicing their own ideas, the characters may be confused, may hit a wall, or even question their own path, but in any case, they will not deny the end of the obsession.
If you hit a wall, make corrections. If this road doesn’t work, find another way. It doesn’t matter if you can’t get to the end. Just try your best to move forward. The road you have already traveled is not fake.
That's why even though the manga has become like hell now, I still feel that Conjuring is a juvenile manga. Because in the final analysis, this is the story of a group of people who "have ideals and directions, and sacrifice their heads and blood in order to practice their own values", in the "collision of their respective ideas", either as partners or as enemies.
No matter how tragic the cost along the way, its background is always positive.
Back to the first season of animation.
In any case, these days, it is not easy to have such a movie that is not stupid, not charming, does not fry cp, does not procrastinate, has three views, plays neatly, and produces high-quality animations. Therefore, although the first season of the animation has not been able to perform the following chapters with real spell style, the plot of not pulling the crotch and the current performance of mappa are enough for me to give me a five-star.
Speaking of mappa, I still can't help but complain.
The fight scenes are well done, and the funding is still sufficient. There is nothing to say about the bgm, and there is no major problem with the rhythm.
But the aesthetics of the character...
It's hard to say.
Hiramatsu Zhenshi didn't know what his hobby was, but he insisted on using male characters to set up the model of Yuri on ice before, which made everyone gay.
The positioning and target groups of the two episodes are very different, and his actions are really confusing.
Especially Wutiao Wu, the heaviest strike. Drooping eyes, lip gloss, soft light, collarbone... Just add it hard, and I don't know why I am so obsessed with the element of female appearance. Well, a large-scale Qi, literally painted as Victor.
In the comics, the 5t5 cat's eyes are young, refreshing, crazy, and fierce. When they fight, their eyes are both hilarious and crazy.
In the animation....is a mass-produced beauty with a strong plastic otome feeling. No matter how beautiful the eye color is, it still looks dull and lackluster, and it feels contrived to see him pretending to be forceful.
He is obviously a very special and tense character design, and this style of painting is almost no different from OOC.
It can only be said that the character designer thinks that he caters to the preferences of the female audience, but it is superfluous and counterproductive.
Fortunately, Yuichi Nakamura's voice is well-chosen, and the dubbing director is also strong. At least I can get back the feeling of the original 5t5 in the voice.
But having said that, compared with the whole work, this is not a big change, and it will not affect my overall evaluation of mappa. —————————————————————————— Finally, I have some thoughts on the latest development of comics, and I don’t feel uncomfortable. It is purely a personal vent, and the comic party is welcome to complain together.
⚠️ Non-original parties should be careful!
Now I just hope that after playing in the Shibuya arc for a whole year, Mustami can stabilize and explain the worldview clearly.
Chapter 133 I had a really bad viewing experience.
The first is suffocation.
To be honest, I am a person who resents the protagonist's cheating, but now I just want to pay for the knot.
In the two hours after 5t was banned, Knotweed Battalion was beaten unconscious and slaughtered by 140 passively. On the verge of collapse, he witnessed the tragic death of Nana Ming and Qiangwei, and was beaten to half death by real people who evolved madly several times.
After exhausting his last breath, seeing that he was finally going to kill the real man, the brain flower clapped his hands and easily flashed to grab the head. After sucking the real man, he cut the knotweed into a human stick. The 5t was taken away, and he turned his head and put the death penalty on the agenda.
I********
Okay, the magician did not expect that the brain flower and the others are so strong, and they have made such a targeted plan, they are underestimating the enemy; it took only four months for the tiger stick to swallow its fingers, and all the people who came up against it were all The super class is all bosses, no matter how tragic the knife is, it is indeed reasonable and reasonable.
But Nima's viewing experience is too suffocating! ! ! !
The Dinghaishenzhen was robbed, the protagonist died and the crippled crippled, the Shibuya station was a sea of corpses and blood, and the knotweed almost wiped all the villain's experience points.
Finally, this is it? ? ? ? ? ? ? ? ? ?
I must see you tm at least let the knotweed kill the real person who kills a thousand knives! What's the matter of robbing people to survive! (╯‵□′)╯︵┻━┻
To be honest, I have always felt very strong when someone played the "must see Fujimoto mental friend" before. Because in all fairness, must see is not a person who does what he wants, and the spell is not a gimmick for abuse, and the lunch boxes are all natural and heavy. 
But now - you're so right! I now even suspect that the Chainsaw Man ended because Fujimoto was absorbed by the one-eyed cat.
(▼ dish▼#)
Then there is the question of worldview.
Regardless of the words, he fled, and suddenly expanded his worldview to foreign countries. Just in the world of incantation in Japan right now, I'm at a loss for words.
What is the power structure within the upper echelons of conjuration?
What is the overall organizational system of the conjurer? Is there a management system similar to the Hunter Association?
The curse spirit caused such large-scale casualties, how should the internal management responsibility of the magician be investigated?
What is the relationship between the magic world and the national government? Is it leadership, collaboration or checks and balances? This group of super-class curse spirits set fire to a store as soon as they took action. The government will not hold them accountable. What will happen to the public opinion?
To be honest, I didn’t have doubts about these issues before, but the plot of the spell is fast, it’s cool to watch, and the story is not too big. If I can justify it myself, I’m not too entangled. But the Shibuya arc has developed to the present, and it is full of big scenes. If these problems are not explained clearly, the plot logic will not make sense.
When 5t was banned, Must see almost made it look like the country is about to fall and the world is doomsday.
From this point of view, the stability of the magic world is related to the survival of Japan as a whole, and 5t is more related to the safety of the entire magician side.
But after Shibuya rescued 5t for more than two hours, Tokyo didn't send a single reinforcement? ?
No matter how pedantic the high-level people are, they still don't sacrifice the whole of Japan just to get rid of 5t's control. That's too outrageous.
It could only be that there were no reinforcements to send, or that it hadn't arrived yet. This is even more outrageous.
Why, Tokyo is so densely populated that curse is so powerful, don't you even have a standing guard of cursers? ?
Is there no one except for the teachers and students in the high school? ?
What about the Yusan? What about the conjurers who graduated before?
Tokyo is not that big, and a group of magicians can't even catch a reinforcement in two hours, right? ?
No matter how much 5t dislikes the current high-level spells, this management system has supported Japan's stability for so many years. Reinforcement is a procedural operation, and it is not a difficult decision. The strength and commanding power of the management system cannot be so incompetent.
Really rely on 5t alone? To put the stability of the entire Japanese society on one person, this leadership system is too childish.
It is precisely because Mustard has always been an author who insists on rigorous setting and self-consistency in logic, and now the suspended worldview is even more puzzling to me. Anyway, no matter how I think about it, I can't figure out how the mustard can be round.
In the end, good guy, he hasn't made it clear in the country. In the latest words, he directly expanded his worldview to foreign countries.
To be honest, I'm a little suffocated.
The Shibuya Incident lasted for a year. Judging from the results, the magician's side was vulnerable except for 5T, and the brain flower alone could easily play them in the palm of his hand.
As for the sequel, I really don't know how to proceed.
I see some people in the comments guess Hushang brothers fleeing on the road + catching internal ghosts + fighting in the three families. But to tell the truth, just because the magician was killed by Brain Flower in the first battle of Shibuya, I should only have a feeling of rookie chickens pecking at each other when they see them fighting.
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