It's a typical extreme mature industrial assembly line work. When watching the movie, I feel that the rhythm is smooth and natural, and when I think about it, the logic and settings are very nonsense.
But when I watch it, it is still comfortable to watch. For me, it feels better than when I watched the first part.
But it is not the beauty of the goddess that attracts me, but the paranoia of the villain.
I was destined to be disappointed when I wanted to see Gadot kill the Quartet. Although there were several fighting scenes, the final victory over the BOSS was achieved by a secret technique. In addition, the most interesting action scene for me is not the heroine but the little girl at the beginning. The goddess's new upper body armor looks like Pegasus, and at the climax of the fight I blurted out, "Water Monkey...!"
The love scene was handled quite naturally, but it was a bit unexpected. In fact, I think the ending of the first part was already very good, and the 70 years of unforgettable afterward was somewhat superfluous.
However, the breakup scene is very beautiful. The contrast between the long-term miss and the short and firm farewell brings the emotions of this section to the extreme. I even think it's better handled here than when escaping the boss.
The villains are very interesting: paranoia, neuroticism, high concentration, instant motivation, operatic hyperbole, religious coaxing... It's easy to think of a certain blond old man. It makes people suspect that there is a drama in the connotation: "You are a liar who has stolen the power of the president."
Arranging a point of inner softness for such a character is also to apply the fat tiger theory to extreme speed: giving the villain a humanized kindness can increase the three-dimensionality of the character.
Although the son of that man is not of the same race as him, he seems to have forced an Asian into it for the sake of balance.
I still have to say it again: the logic, especially the handling of the ending, is really crap.
Love can solve everything, people can give up greed, wishes can be corrected, time can be reversed, all mistakes caused by the evil of human nature can be made up, the world will be better because of a speech... This kind of thing is very good in fairy tales. The reluctance to appear in the super British movie will inevitably make people laugh.
But forget it, don't ask too much for industrial saccharin.
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